I, I'd turn around

In the scene, a woman with long, dark hair appears distressed as she speaks on a telephone. She is holding a small child, who has curly hair and is dressed in a brown jacket. The woman is wearing a light blue sweater and has a pained expression, indicating emotional turmoil. The dialogue on the screen reads, "I hate that you're in here, Ricky," suggesting a conversation with someone incarcerated. 

In the background, there are blurred figures, including a man in a beige coat, which adds to the setting's somber atmosphere. The environment appears to be a visitation area, likely in a correctional facility, characterized by glass partitions and a clinical, institutional feel. The lighting is bright but harsh, contributing to the overall tension of the scene. The emotional weight of the moment is palpable, highlighting themes of separation and distress.
California, USA Written, published, and designed in California, USA