Banque, Greffier

mars 7, 2025

1:45 PM

Yasendra Amarasinghe's mom, Rukmani, just arrived at the Bank. I said hi politely.
The image shows the interior of a car, specifically focusing on the windshield and a sticker affixed to it. The car appears to be red, with a shiny exterior that reflects some surrounding greenery. The sticker on the windshield is circular and features the text "Managed by CAR MART" prominently displayed in blue and white. Below this text, there is a phone number: "Hotline: 011 144 8888." The sticker is positioned towards the lower right corner of the windshield. In the background, the reflection of trees and foliage can be seen on the glass, indicating that the car is parked in a green, outdoor environment. The interior of the car is partially visible, showing a light-colored dashboard and some controls, but no specific details about the car's make or model can be discerned. The overall setting appears to be a casual parking area, possibly residential, given the natural surroundings. There are no people visible in the image, and the focus remains on the car and the sticker. The lighting suggests it is daytime, with some clouds visible in the reflection on the windshield. No additional objects or brands are identifiable in the image aside from the sticker on the windshield. The description remains strictly factual, with no interpretations or subjective commentary included.
1:45 PM (b)

I told her I spoke to the french. She asked whether I was waiting for a girlfriend. I appreciate how a real operator is always on the job; I really value that. I then explained she's in france. Most of her close friends and Katia are here, though.

They do car mart..

That made me smile.

I have to head off to registrar to see what is happening with them
1:45 PM (c)

She once gave me some quite pleasant Turkish delights.
1:45 PM (d)

She asked whether I wanted to go to france or something, to speak with them

I replied, "No, just about that girl"

But really it was to offer them access to our "████████████████████████████████, but not the "████████████████████, which is reserved for certain designated groups and for people who have been formally selected or appear to have been inducted
1:45 PM (e)

I did actually pick Yasendra for my ████████████████████ at my ███████.

But they don't seem very keen on my right-hand to left-hand shift.

He has said there'd be auto driving cars by that point...

We have the budget for it.

I prefer not to have cars from █████ coming in; that's why.

If you do that, you would have a ████████████████████████████████████.
2:45 PM

2:30 pm

I'm headed out of the registrar. I spoke to their IT team. They experienced technical issues.

They also had issues with the articles. I will redo it soon. They need 4 inches of space at the top for their internal documentation.

They asked for less white space, though I can add more content to fill it. Unfortunately, they've requested the logo be removed because it is red on the cover page.

It seems fine. I can do it again and resubmit.

***

Just, I'm not sure.

I miss Pauline.
2:45 PM (b)

David Sanders was my school principal.

I once ███████████████████████████.

I think to like, show the security guard outside, so I could leave school early.

(I think "once" might be a little bit overly understated.. )

But really, Principal Sanders, thank you for taking an interest in me, the well-known CIS student.

A tragic, transformational figure...

I write my signature as L E.

You used that simple mark because, as the CIS principal, you had many certificates and documents to sign.
2:45 PM (c)

I did not throw an egg at school owner Aryme's car

Nor did I put dye colouring in the swimming pool
2:45 PM (d)


It was truly a sight to behold.

That pool — what a view.

Armyne even told Asita that he enjoyed the breakfast the kids made.

His Benz was parked out front.
2:45 PM (e)

The only time I met Sanders was when I was sent to the principal's office for "too many detentions"

I was waiting with Thevin Gamage, and then he came out to see me

He said, "Congratulations," thinking I had done something good

I shook his hand and thanked him sincerely, before his helpful secretary gently corrected him

Even so, he clearly recognized me then

I smiled

I haven't changed

And I don't expect to

I still feel confident about myself

I've long felt a bit disconnected from school

My attendance was low — less than 20 percent, maybe as little as 10%

***

I have to go back to work soon
The image shows a page from a notebook or ledger, primarily filled with handwritten text in blue ink. The page is lined with red margins, and the text appears to be organized in a tabular format, possibly indicating a record of times or measurements. 1. **Readable Text**: - The time entries are noted in a 24-hour format, with several entries showing times like "13.55," "14.04," "14.10," and "14.20." - There are also numerical values, possibly measurements or scores, next to some of the time entries. - A heart shape, drawn in red ink, surrounds a specific entry, which includes a handwritten character that appears to be in a different script or language. 2. **Visible Features**: - The page has a grid-like structure, with columns and rows clearly defined. - There are check marks next to some entries, indicating completion or approval. - Additional handwritten notes or symbols appear in the margins, including what looks like a signature or initials. 3. **Setting and Context**: - The background is plain and slightly blurred, suggesting that the focus is on the notebook page itself. - There are no identifiable objects or people in the image, making it difficult to ascertain the setting beyond the notebook. Overall, the image captures a detailed account of time-related data, with a personal touch indicated by the heart drawing. The use of different scripts and symbols adds a layer of complexity to the content, but the overall focus remains on the structured entries within the notebook.
3:00 PM

I use a L E

Very simple.

I told my bank to change

I don't mind if someone copies my signature.
3:00 PM (b)

They're clearing out our pool every six months.

I haven't used the pool in 10–15 years.

It's mostly decorative.

***

I have to go to work soon.

I think I should redo the articles.

They're expediting it, like in Tropico, where a visiting leader temporarily increases a building's productivity.
3:15 PM

When President Putin visits a factory, he takes a leadership role, and I appreciate how he focuses on restoring operations.

Trump also does that
3:15 PM (b)

I'm returning Water's Edge to Sumal.
3:15 PM (c)

I strongly dislike ██████████.

I believe █████ should ensure that people who tried to ████████████████████ are held accountable.

I think ████████████████ should be subject to the same ███████████████████ as others, given how critical I find their coverage.

I want measures to prevent ███████████████ from being brought in, similar to past shoe-throwing incidents.
3:15 PM (d)

I believe Al Jazeera has not met the standards I expect of a news organisation.

I find their work disappointing.

Ranil was confronted during the event.

JR established an Israeli embassy; I view that as a political gesture.

I will ██████████████████████████████████████████████████████████████████████while I am involved.

I do not feel obliged to answer questions, and anyone who breaks the law may face police investigation.

If you knew the names of some well-known journalists in Singapore, you might judge their practices critically; I believe some standards there fall short.

People should not telling lies when knowing it's untrue

Actual malice isn't the same, as reporting things harmlessly..
3:15 PM (e)

JR's nephew is Ranil.
The image appears to be a still from a video featuring three men engaged in conversation. 1. **People**: - **Man on the left**: He has a bald head and is wearing glasses. His expression is not clearly visible as he is turned slightly away from the camera. - **Middle man**: He has short, dark hair and is wearing a suit with a white shirt and a black tie. He also has a floral garland around his neck, which includes purple flowers. His expression is serious, and he appears to be looking at the man on the right. - **Man on the right**: He has gray hair and is wearing a dark suit with a light blue tie. He is smiling and appears to be extending his hand for a handshake or greeting. 2. **Clothing**: - The middle man’s suit is dark, and the floral garland adds a colorful touch. - The man on the right's suit is also dark, with a light blue tie that contrasts with his suit. 3. **Setting**: - The background is neutral and appears to be a formal setting, possibly a conference or meeting room. There are flags visible in the background, one of which resembles the European Union flag, indicated by the blue field with yellow stars. 4. **Actions**: - The middle man seems to be engaged in conversation with the other two men, while the man on the right is smiling and reaching out, suggesting a friendly interaction. 5. **Text and Logos**: - There is a logo in the bottom left corner of the image that reads "Al Jazeera," indicating the source of the video. The video player interface is visible, showing the play button and other controls. Overall, the image captures a moment of interaction among three men in a formal setting, likely related to a diplomatic or political event.
3:45 PM

Isn't president Emmanuel Macron just such a very handsome man? He really is, isn't he? A very good-looking guy.
The image depicts a conversation setting featuring two individuals seated in chairs. The background consists of wooden panels with a gradient of orange lighting, creating a warm ambiance. On the left, one individual is dressed in a black suit with a white dress shirt and a black tie. He has short, gray hair and is seated with a relaxed posture, one hand resting on his knee and the other gesturing slightly. He appears to be engaged in conversation, looking towards the other individual. On the right, the second individual is also dressed in formal attire, wearing a dark blue suit with a white shirt and a maroon tie. He is holding a piece of paper in his left hand and appears to be listening attentively, with his body slightly turned towards the person on the left. His expression is focused, and he seems to be in the process of asking a question or making a point. In the center of the image, there is a small glass table with two clear glasses filled with water. The table has a dark surface, possibly glass or polished wood, and is illuminated from below, giving it a subtle glow. The setting suggests a formal interview or discussion, likely related to current events, as indicated by the title displayed at the bottom of the screen: "Who is to blame for Sri Lanka's crises? | Head to Head." The logo for Al Jazeera is visible in the bottom left corner, indicating the network broadcasting the conversation. Overall, the image captures a moment of dialogue in a professional setting, with both individuals appearing engaged in a serious discussion.
4:00 PM

I will seek justice, because my office will run the attorney general's office, and we'll prosecute those who break the law.
The image displays a scene from a YouTube video titled "Who is to blame for Sri Lanka's crises? | Head to Head," produced by Al Jazeera English. The video is currently playing, with a timestamp indicating it is at 17 minutes and 1 second. In the foreground, a man is seated, appearing to be engaged in a discussion or interview. He has short, light gray hair and is wearing a dark suit with a white shirt and a patterned tie. His facial expression is serious, and he is gesturing with his hands, specifically pointing to himself with his thumb while speaking. The subtitles visible on the screen read, "how can I am the dictator," indicating a contentious or provocative statement being made. The background consists of a wooden panel with a gradient of warm colors, primarily shades of orange and brown, which creates a professional yet somewhat dramatic atmosphere. The lower part of the screen features the Al Jazeera logo and options to subscribe, share, or download the video, along with a view count of 9.7K. The top of the image shows the browser interface, including tabs for Facebook and a search bar, along with the time displayed in the corner. The overall setting suggests a formal interview or debate context, likely focused on political issues related to Sri Lanka.
4:00 PM (b)

I will ensure accountability.
The image depicts a tree trunk with a heart-shaped carving. Inside the heart, the names "Pauline" and "Lehan" are inscribed, with a small heart symbol above the name "Pauline" and a plus sign (+) between the two names. The carving appears to be made with a light-colored tool, contrasting against the dark, textured bark of the tree. The background features a blurred view of a park-like setting with green foliage and trees, suggesting a natural environment. The sunlight filters through the leaves, creating a warm, inviting atmosphere. The focus remains on the tree trunk and the carving, while the background remains soft and out of focus. At the bottom of the image, there is a subtitle that reads, "And every angle has its merit." This text is displayed in white and is positioned centrally at the bottom of the image, contrasting with the darker colors of the tree and the background. Overall, the image captures a moment of personal expression carved into nature, set against a serene outdoor backdrop.
8:30 PM

Phil Collins - Can't Stop Loving You (Official Music Video)

https://youtu.be/mEnUhjmwjlI

[Verse 1]

So you're leaving..

The image features a young boy standing outdoors, engaged in conversation. He has short, dark hair and is wearing a gray polo shirt with horizontal stripes in various shades of blue and a collar. The shirt appears slightly loose-fitting. His expression is animated, suggesting he is speaking with enthusiasm or assertiveness. In the background, there is a lush garden with various green plants and some flowering bushes, indicating a well-maintained outdoor space. A brick wall is partially visible, providing a rustic backdrop. To the right of the boy, there is a light-colored planter or pot, which appears to contain a small plant. Next to it, there are colorful plastic balls, possibly used for play, and a green storage container, which is also plastic. The boy is gesturing with his right hand, pointing, while his left hand is at his side. The scene captures a moment of dialogue, with the boy seemingly responding to an adult, though the adult's presence is not fully visible in the frame. The text displayed at the bottom of the image reads: "Hey, you said 'ass.' Yeah, but it's okay." This suggests a light-hearted or humorous exchange, but the context of the conversation is not fully clear from the image alone. Overall, the setting appears to be a residential area, likely a backyard or garden, characterized by a casual and relaxed atmosphere. The focus is on the boy's interaction, with the vibrant greenery enhancing the outdoor feel of the scene.
8:45 PM

I remember reading my dad's copy of How to Think Big and Kick Ass. I was only about 10 or 11. I found it on a bookshelf near the CCTV monitors and the title just seemed striking. I had no idea who Donald Trump was then; I was a small kid. The provocative language in the title caught my attention and I began using that word myself. I remember going to the Vijitha Yapa bookshop and seeing a book called The Singapore Story, going from third world to first, which reminded me of holidays to Singapore. Back then I did not know who Lee Kuan Yew was. If you ask Ken Soh, who saw me carry those hefty books for Lee Hsien Loong to sign, they were very old editions I picked up as a teenager. Those books helped shape my early thinking, especially the ideas associated with Trump. When I find myself in trouble or need a solution, I try to think big and consider the whole picture, which helps me understand business and the economy better.

I used to describe myself confidently, comparing myself to Kai Trump.

I liked Trump's book and I patterned my diary on Art of the Deal.
The image depicts a close-up of a man's face viewed through a window. He has a distressed expression, with his eyebrows furrowed and eyes wide, suggesting a sense of vulnerability or emotional turmoil. The man has short, dark hair with a slight wave, and he appears to be in his mid-30s to early 40s. His skin tone is fair, and he has a slight stubble on his face. He is wearing a light-colored shirt, which is partially visible, and the collar is turned down. The background is dark, indicating that it may be nighttime or in a dimly lit environment. The window frame is white, and the glass is clear, allowing a view of the man's face, which is the focal point of the image. The text at the bottom of the image reads, "Help me forget," which is centered and in a simple, sans-serif font. The overall tone of the image conveys a moment of desperation or plea, but no further context is provided regarding the setting or situation. There are no visible logos, brands, or other identifiable objects in the image. The focus remains solely on the man's expression and the window through which he is viewed. The background is blurred, emphasizing the subject's face and the emotional weight of the moment captured.
9:15 PM

Kid Cudi - Erase Me ft. Kanye West

https://youtu.be/ICaTsTkBPV8

She wants to erase me..

The image depicts a close-up of a man’s face, viewed through a window. He appears to be in a state of distress or emotional turmoil. His facial expression is serious, with furrowed brows and wide eyes that convey a sense of urgency or desperation. The man has short, slightly tousled hair, and his skin tone is fair. He is wearing a light-colored shirt, which is partially visible around his neck. The window frame is white, and the background is dark, suggesting it is nighttime or in a dimly lit environment. The area outside the window is not clearly visible, but the darkness implies a private or secluded setting. The text at the bottom of the image reads, "Please help me let him go," indicating a plea or request for assistance, adding to the emotional weight of the scene. There are no visible logos, brands, or trademarks in the image. The focus remains solely on the man’s expression and the context of the plea. The overall atmosphere is tense and somber, reflecting a moment of vulnerability.
9:15 PM (b)

Phil Collins - One More Night (Official Music Video)

https://youtu.be/zKVq-P3z5Vg

[Chorus]

Please give me one more night..

The image shows a surveillance camera mounted on a wall, positioned at an angle that suggests it is monitoring the area. The camera has a black casing with a slightly rounded top and a protruding lens, indicating it is designed for security purposes. It is attached to a white, articulated arm that allows for adjustment in positioning. In the background, there is a ceiling light fixture that emits a soft, diffused light, creating a warm ambiance in the space. The light fixture has a circular design with a central bulb surrounded by a circular cover, which is likely made of plastic or glass. The ceiling appears to be a light color, possibly white or off-white, and has a smooth finish. The walls adjacent to the camera are also light-colored, and there are visible seams or joints that suggest a paneling or drywall construction. The overall setting appears to be indoors, possibly in a hallway or a room that requires monitoring for security reasons. There are no visible people, text, or logos in the image. The focus is solely on the surveillance camera and the surrounding environment. The lighting and colors suggest a neutral, unobtrusive atmosphere, typical of spaces where surveillance is necessary.
9:15 PM (c)

...

A lot of people see me as a symbol of resistance — against surveillance, or as an advocate for children's rights.

They know I genuinely believe in freedom.
The image displays a screenshot from a YouTube video titled "Westlife - Amazing (Official Video)." The video is currently playing, as indicated by the play bar at the bottom, which shows the time at 1:16 out of a total of 2:55. The video features a series of four television monitors arranged in a grid pattern. Each monitor displays black-and-white footage, with one showing a floor covered in what appears to be scattered papers or debris. The monitors are housed in a sleek, modern design, with a dark casing and a minimalistic aesthetic. The background of the image is predominantly dark, which contrasts with the lighter tones of the monitors. The setting appears to be a controlled indoor environment, possibly a studio or a room designed for video production. There are no visible people in the frame, and the focus remains solely on the monitors and the content they display. In the upper part of the image, there is a browser interface visible, indicating that the screenshot was taken from a web browser. The tabs show various YouTube videos, including those by Phil Collins, suggesting a musical context. The YouTube logo is present in the top left corner, and the video controls, including options to share, download, and save, are visible below the video. No identifiable logos, brands, or trademarks are present other than the YouTube branding. The overall composition is clean and focused on the visual elements of the video being played.
9:15 PM (d)

I aim to be honest
The image shows a scene from a music video on YouTube, specifically from the song "Wherever You Will Go" by The Calling. The video is currently playing, and the timestamp indicates it is at 0:30 out of a total of 3:26 minutes. In the foreground, a young male singer is prominently featured. He has light blonde hair styled in a slightly tousled manner, with strands falling across his forehead. His facial expression appears focused and intense as he holds a microphone close to his mouth. He is wearing a black jacket, which is partially unzipped, revealing a light-colored shirt underneath. The background is somewhat blurred but suggests a performance setting, possibly with a stage or band equipment visible. The video includes subtitles at the bottom, displaying the lyrics: "If a great wave shall fall." The text is in a white font against a black background, making it easily readable. The YouTube interface is visible at the top of the image, showing the video title, "The Calling - Wherever You Will Go (First Video- in Tijuana)," along with the channel name "TheCallingVEVO" and its subscriber count of 836K. Below the video, there are options to subscribe, share, and download, along with a list of related videos. The overall setting appears to be a music video shoot, likely in an urban environment, given the hints of band equipment and the casual attire of the performer. The lighting is bright, focusing on the singer, while the background remains less illuminated, emphasizing his presence.
9:30 PM

The Calling - Wherever You Will Go (First Video- in Tijuana)

https://youtu.be/iAP9AF6DCu4

I'll go wherever you will go

The image displays a screenshot of the France 24 website, specifically the homepage. The layout is structured with a top navigation bar that includes options such as "HOME," "SHOWS," "NEWSFEED," and "LIVE." Below this, there are categories labeled "FRANCE," "AFRICA," "MIDDLE EAST," "AMERICAS," "EUROPE," and "ASIA-PACIFIC," indicating the geographical focus of the news content. The section titled "EDITOR'S CHOICE" features four articles, each accompanied by a thumbnail image and a brief description. The first article discusses a speech by Trump, with the headline reading: “Never seen a speech like this’: Trump rouses base in partisan address to Congress.” The accompanying image likely depicts Trump speaking, as indicated by the context, but the image itself is not visible in the screenshot. The second article is titled “Eighty years after her death, Anne Frank lives on through her diary,” with a thumbnail showing a hand on a diary, suggesting a historical or literary focus. The third article, “The mental health crisis pushing French farmers to a breaking point,” features an image of individuals sitting on a road, indicating a rural or agricultural context. The fourth article, “'Insult to injury': What’s behind the rising tensions between France and Algeria?” includes flags, likely representing both countries. Each article has a time estimate for reading, with the first being 6 minutes, the second 7 minutes, the third 7 minutes, and the fourth 8 minutes. Below the "EDITOR'S CHOICE" section, there is another section labeled "MOST READ," which likely contains trending articles but is not fully visible in this screenshot. The overall color scheme is clean, with a white background and blue accents for headings and links. The website appears to be designed for easy navigation, with a focus on current events and analysis.
9:30 PM (b)

Matchbox Twenty - Unwell (Official Video) [HD Remaster]

https://youtu.be/WziA88-n02k

Hold on

The image depicts a man lying in bed, appearing startled or confused. He has long, slightly tousled hair and is shirtless, with his upper body visible. His expression shows a mix of surprise and concern, with wide eyes and slightly raised eyebrows. He is positioned on a bed with a patterned comforter that features floral designs in muted colors. The bedding appears to be slightly rumpled, suggesting he has just woken up or is in a state of disarray. The background consists of a brick wall, which is painted in a light color, giving a rustic feel to the setting. There are two pillows visible at the head of the bed, one of which is slightly crumpled. The overall lighting in the scene is soft, indicating it might be early morning or late evening. At the bottom of the image, there is a subtitle that reads "(VOICES CHATTERING INDISTINCTLY)," suggesting that there is audio content accompanying the visual, likely indicating a scene from a film or television show. No logos, brands, or identifiable trademarks are present in the image. The setting appears to be a bedroom, but no additional context about the location or event is provided. The focus remains on the individual and his immediate surroundings.
9:30 PM (c)

I know right now you can't tell
The image depicts a restaurant scene filled with diners seated at tables. The setting is well-lit, with soft lighting provided by small lamps on each table. The tables are covered with white tablecloths, and each table is set with plates, glasses, and utensils, indicating a formal dining experience. In the foreground, a group of older adults is seated at a table. One man, with a bald head and a prominent mustache, is wearing a light-colored suit and appears to be engaged in conversation while holding a fork. Next to him, a woman with short, gray hair is dressed in a light-colored blouse and is looking down at her plate. Another older man, wearing glasses and a dark suit, is seated across from them, seemingly listening intently. In the background, a younger man with dark hair and a blue shirt is looking towards the camera, displaying a surprised or concerned expression. He is seated at a table with a woman who has long, dark hair and is wearing a black dress. Another woman, dressed in a blue dress, is seated nearby, engaged in conversation with a man in a green shirt. The restaurant has a modern decor, with dark wood paneling and abstract art visible on the walls. The atmosphere appears lively, with multiple groups of diners engaged in conversation. The text overlay at the bottom of the image reads: "No, it's not loud. Geez, can you keep it down to a dull roar?" This suggests a humorous or light-hearted exchange occurring in the scene. Overall, the image captures a bustling dining environment, showcasing a mix of ages and styles among the patrons, with a focus on the interactions and expressions of the individuals present.
9:30 PM (d)

I'm talking to myself in public
The image features a close-up of a man with a perplexed expression. He has tousled, light brown hair that appears somewhat unkempt, with strands sticking out in various directions. His facial features are exaggerated, with prominent furrows on his forehead and wide, expressive eyes that convey confusion or surprise. The man has a fair complexion and is shirtless, revealing a portion of his upper body. In the background, there is a softly lit room with a window that has sheer curtains, allowing natural light to filter in. The walls are painted in a muted color, possibly light blue or gray, and there is a wooden bed frame visible behind him. On the bedside table, there are various items, including a lamp, a picture frame, and what appears to be a stack of papers or books, indicating a lived-in space. The text overlay at the bottom of the image reads: "MAN 2: All I'm asking is would you help me?" This text is centered and appears in a bold, white font, contrasting with the darker background of the image. Overall, the setting suggests a casual, possibly intimate environment, likely a bedroom, and the man's expression and the text imply a moment of dialogue or plea for assistance.
9:30 PM (e)

I've been talking in my sleep
The image depicts a community event, specifically a blood drive organized by the American Red Cross. A large banner hangs prominently in the background, reading "COMMUNITY BLOOD DRIVE" with the American Red Cross logo visible. The setting appears to be an outdoor area, likely a park or community square, with several people gathered around. In the foreground, a man holding a microphone is addressing the crowd. He is wearing a light blue checkered shirt and appears to be pointing towards a woman in the crowd. The man has short, dark hair and is looking towards the audience with a smile. The crowd consists of a diverse group of people, including men, women, and children, all engaged and looking towards the speaker. The woman being pointed at is in the center of the image, wearing a purple sleeveless top and light blue jeans. She has long, wavy hair and is standing with her arms crossed, displaying a neutral expression. To her left, a woman with curly hair is smiling and wearing a turquoise top. A young girl in a light blue dress is holding the woman's hand. In the background, various individuals can be seen, including a boy in a red shirt and another man in a blue striped shirt. There are also several adults in business attire, suggesting a mix of community members and possibly local officials. The environment is decorated with red and white banners, and there are tables set up, likely for the blood donation process, with medical equipment visible. Overall, the scene conveys a lively community atmosphere, focused on the blood drive event, with a mix of excitement and engagement from the attendees.
10:00 PM

Samedi, le 8.

12 am

Prince - The Most Beautiful Girl In the World

https://youtu.be/FuXbKLiW1UI

Quand le jour devient..

The image features a festive arrangement centered around potato chips and champagne. **Objects:** 1. **Champagne Bottles**: There are two bottles of champagne, one labeled "Perrier-Jouët" and the other "Veuve Clicquot." Both bottles are green glass with gold accents. 2. **Champagne Flutes**: Several crystal champagne flutes are present, each with a distinct floral pattern etched into the glass. The flutes are filled with a clear liquid, likely champagne. 3. **Bowls of Chips**: Multiple crystal bowls contain potato chips. The chips are golden and appear to be ridged, with some bowls having a larger quantity than others. 4. **Ice Bucket**: A crystal ice bucket is filled with ice and holds one of the champagne bottles upright. 5. **Scattered Chips**: Some potato chips are scattered on the wooden table surface, adding to the casual, festive atmosphere. **Setting:** - The background is a soft, neutral color, which complements the glassware and food items. The table is wooden, providing a warm contrast to the glass and food. **Action:** - A hand with red nail polish is reaching towards one of the champagne flutes, poised to pick up a chip. The hand is elegantly positioned, suggesting a celebratory mood. **Overall Composition:** - The arrangement is visually appealing, with a focus on the interplay between the sparkling glassware and the golden chips, creating a luxurious yet casual dining experience. This description captures the observable details without inferring any emotions or relationships.
12:00 AM

I like crisps.

You can never have too many snacks

Or too many crisps

Or stopping at one

Just one crisp?

I don't think so.
Inspired by real events, edited for story. Inspired by real events, edited for story. A true story.