පියා, ගාස්තු, දැවෙන මිනිසා

March 15, 2025

The image depicts a scene featuring a helicopter, specifically a Marine One, which is identifiable by its dark green color and the words "UNITED STATES OF AMERICA" displayed on the side. The helicopter is parked on a grassy area, likely on the White House lawn, as indicated by the context of the image. In the foreground, there are two individuals. One person appears to be an adult male, dressed in a long black coat and a suit, suggesting a formal appearance. He has short hair and is facing a child who is standing next to him. The child is wearing a dark coat and appears to be looking up at the adult, indicating a possible interaction between them. The background features several trees, some of which are bare, indicating it might be early spring or late fall. The sky is overcast, contributing to a muted color palette in the scene. There are no visible signs of activity around the helicopter, and the area appears calm. On the bottom left corner of the image, there is a logo for "MAGNO.NEWS," which includes the text "BY THE PEOPLE, FOR THE PEOPLE." This suggests that the image may be part of a news report or social media post. The text also includes a headline stating, "BREAKING: President Trump with Elon Musk & Little X take off," along with a note about President Trump’s son boarding the helicopter. Overall, the image captures a moment involving a helicopter on a lawn, with two individuals engaged in what appears to be a personal interaction, set against a backdrop of trees and an overcast sky.
11:30 AM

Saturday, 15th.

11:30 am

Phil Collins - Father To Son

https://youtu.be/pDX41GcA1PA

I'll be here to carry you along

Watching you until your work is done

The image displays a webpage from Genius.com, specifically focused on the song "Father to Son" by Phil Collins. The background color of the page is a light orange. At the top of the page, there is a black navigation bar that includes icons for Facebook and other tabs, indicating that the user is browsing in Google Chrome. Below this, the word "About" is prominently displayed in large, bold, black font, centered on the page. Underneath the title, there is a section labeled "Genius Annotation," which is written in a smaller font. The text reads: "The 11th track of the album ...But Seriously, the song explores the connection Phil has with his first son Simon Collins." This text is in a standard font size and style, providing a brief description of the song's theme. To the right of the annotation, there is an indication of "1 contributor," suggesting that one person has contributed to this annotation. Below the text, there are two icons: a thumbs-up symbol with a count of "+2" and a thumbs-down symbol, indicating user engagement with the annotation. The overall layout is clean and straightforward, with a focus on the textual content. There are no images, videos, or additional graphics present in the visible area of the webpage. The setting appears to be a digital environment, specifically a web browser interface.
11:30 AM (b)

:)
The image is a world map illustrating the applied weighted mean tariff rates by country. The title at the top reads, "Where the World Is Charging Most Tariffs," with a subtitle indicating that it represents the tariff rates for all products, sourced from the World Bank. The map uses a color gradient to represent different tariff rate categories: - Countries with tariffs of 15% or more are shaded in dark red. - Countries with tariffs between 10% and 14.9% are in a lighter red. - Those with tariffs from 5% to 9.9% are shown in pink. - Countries with tariffs from 2% to 4.9% are in a pale pink. - Countries with tariffs from 0% to 1.9% are in a very light pink. - Areas with no recent data are marked in gray. The map shows a significant concentration of dark red in parts of Africa, particularly in Central Africa, and some regions in South America. The Middle East also has several countries shaded in darker colors. In contrast, many countries in Europe, North America, and parts of Asia are shown in lighter shades, indicating lower tariff rates. At the bottom of the map, there is a note mentioning recent tariff changes in the U.S., China, and Canada, and it specifies the latest available data years for certain countries, such as the Democratic Republic of the Congo, Syria, Iran, Haiti, and Egypt. The source of the data is credited to the World Bank, and the logo of Statista is visible in the bottom right corner. The overall design is clean and informative, focusing solely on the representation of tariff rates globally without any additional imagery or distractions.
3:30 PM

My gov won't impose heavy tariffs.

Our advisors, including Summers, caution against that approach.
The image depicts a large outdoor gathering at what appears to be the Burning Man festival, characterized by a vast crowd of people in a desert-like environment. The scene is set against a backdrop of mountains, with a clear blue sky above. A significant amount of fog or dust is present, creating a hazy atmosphere. In the foreground, there is a large crowd of attendees, many of whom are dressed in eclectic and colorful clothing, typical of festival attire. Some individuals are wearing costumes, while others are in casual summer clothing. The crowd appears to be engaged in various activities, with some people standing, others dancing, and a few sitting on the ground. Prominent in the scene is a large art installation or structure, which is intricately designed and towers over the crowd. It features various elements such as wheels, flags, and possibly lights, indicating it may be part of the festival's artistic displays. To the right, another structure resembling an archway can be seen, adding to the artistic ambiance of the event. The ground is sandy and dusty, consistent with a desert environment, and there are several tents and temporary structures scattered throughout the area. Some attendees are seen with bicycles, which are commonly used at the festival for transportation. Overall, the image captures the vibrant and dynamic atmosphere of the Burning Man festival, showcasing the creativity and community spirit of its participants in a unique desert setting.
1:45 AM

Sunday, 16th.

1:45 am

I got to go to Burning Man.

I feel a great deal better now.

As if healed.

Liberated.
Inspired by real events, edited for story. Inspired by real events, edited for story. A true story.