நிழல் பந்துகள், NYT பாஸ்

ஆகஸ்டு 18, 2023

The image shows two people standing on a boat floating in a large body of water covered with numerous black balls, known as shade balls. The scene is outdoors on a sunny day, with clear blue skies above. The woman in the foreground is wearing large reflective sunglasses, a blue polka dot shirt, and a red life jacket. Her expression is engaged and cheerful as she looks towards the camera. The man next to her is dressed in a checkered shirt, a bright yellow safety vest, and a red life jacket with the word "MUSTANG" visible. He is casually resting one hand on the boat's railing and looking in the same direction as the woman. Both are standing amid a vast expanse of these black balls, which are used in reservoirs to reduce evaporation and prevent algae growth. The caption at the bottom humorously reads, "I love boba," drawing a playful comparison between the balls and boba pearls. In the bottom right corner, a small logo with "Ve" is visible, likely representing the video source.
4:30 PM

4:30 p.m.

The Book of Boba Fett, Episode 7, Finale Theme

https://youtu.be/kb9H4l_oD34

The image depicts an indoor scene in a dimly lit hallway. A young man is in focus, wearing a blue jacket over a white shirt and a red-striped tie. He holds up an identification wallet prominently in the foreground. The ID card inside displays the logo of "The New York Times" and is labeled as a press pass for "Michael Preston," with an expiration date of "16 APR 1973." Below it, a Social Security card is visible, also bearing the name "Michael Preston" and the number "129 88 14103." The hallway appears narrow, with closed doors along the right side and a few wall-mounted lamps providing minimal lighting. The mood is somewhat tense or serious, possibly due to the setting and the direct way the ID is presented. The focus on the identification suggests a moment of verification or confrontation. The color palette is muted, with blue and gray tones dominating the scene, enhancing the somber, official atmosphere.
5:30 PM

5:30 p.m.

NY Times is my favorite newspaper
This image depicts a tombstone with the name "A. M. Rosenthal" engraved prominently on its surface. The tombstone is made of a light gray stone and has a simple, slightly arched shape, giving it a traditional appearance. It is set in a well-maintained cemetery surrounded by grass and fallen autumn leaves, suggesting a serene and peaceful environment typical of the fall season. Behind the tombstone, there are trees with bare branches, indicating late autumn or early winter. The background also includes another tombstone, partially visible, contributing to the tranquil and respectful atmosphere of the scene. The overall lighting is subdued, consistent with an overcast day, enhancing the reflective mood of the setting.
9:45 PM

9:45 p.m. (e)

Leonard Cohen - In My Secret Life (Official Video)

https://youtu.be/NW7oNpzBSGc

The image features AM Rosenthal in a studio setting. He is wearing a dark suit with a light-blue shirt and a patterned bow tie, giving off a formal and polished appearance. His expression is warm and approachable, with a slight smile, suggesting a relaxed and conversational mood typical of an interview or discussion. The background is a plain black, which helps to focus attention on Rosenthal himself. His hair is gray and neatly styled, and he is wearing large, round eyeglasses. The lighting is soft and even, highlighting his facial features without creating harsh shadows. The overall composition is centered, with Rosenthal's head and shoulders prominently displayed, indicating this is likely a still from a television interview or a similar on-camera appearance.
10:00 PM

9:45 p.m. (f)

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In my secret life
The image features A. M. Rosenthal, a notable figure in journalism, standing in the New York Times newsroom in 1979. Rosenthal is dressed in a formal suit with a tie, conveying professionalism. The background showcases a busy newsroom environment typical of the era, with people working at desks and computers visible, hinting at the bustling nature of a newspaper office. The lighting is bright, emphasizing the workspace ambiance. Rosenthal stands confidently with his hands resting in front, exuding an authoritative yet approachable demeanor. The accompanying text is a tribute to Rosenthal's influential career, highlighting his efforts to address human rights issues and his moral stance during significant historical moments. The screenshot is from the New York Times website, with a subscription offer visible at the bottom, indicating a typical news article format. The headline "A. M. Rosenthal Is Remembered for 'Tender Ferocity'" suggests a reflective piece on his legacy, celebrating his impactful contributions to journalism.
10:00 PM (b)

10:00 p.m.

I smile when I’m angry

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And I’d die for the truth

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AM Rosenthal, a notable figure in journalism, is captured in this black-and-white photograph. He is seated indoors, wearing a suit with a subtle checkered pattern, paired with a white shirt and a dark tie. Rosenthal holds a pipe in his right hand, suggesting a moment of contemplation or relaxation, and he has a slight, thoughtful smile on his face. His hair is neatly combed, and he is wearing glasses, which contribute to his intellectual appearance. The setting appears to be a simple room with plain walls and a doorframe visible in the background, adding a sense of modesty to the scene. The lighting is straightforward, typical of mid-20th-century photography, highlighting his features clearly. The image reflects a moment in time, likely from the 1950s, illustrating Rosenthal as a confident and thoughtful individual in his professional environment.
10:00 PM (c)

10:00 p.m. (b)

Hold on, hold on, my brother

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The black and white image shows a man, identified as AM Rosenthal, sitting in an office setting. He is wearing a dark suit, white shirt, and a patterned tie. His expression is serious as he looks slightly off to the side. Rosenthal is seated in front of a bookshelf filled with various books, some of which have visible titles like "Save the First Amendment," "Asian Dream," "The Transition of Israel," and "Soldier." The office has a classic feel with a vintage telephone and neatly stacked papers on the desk. The lighting is subdued, emphasizing the contrast typical of a black and white photograph. The overall mood is professional and contemplative, capturing a moment of introspection or thought. - Title: "AM Rosenthal in His Office"
10:00 PM (d)

10:00 p.m. (c)

I finally got █████████

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``` The screenshot is from a Wikipedia page detailing the career milestones and awards of a person associated with The New York Times. The background is a typical web browser interface with visible tabs and navigation controls at the top. The page lists the individual's roles at The New York Times, spanning from a general assignment reporter in New York (1943-1945) to roles such as a foreign correspondent in various countries (1954-1967), and eventually becoming the executive editor from 1977 to January 1988. Afterward, they served as a columnist until 1999. Additionally, the page highlights two major awards: the Pulitzer Prize for International Reporting received in 1960 and the Elijah Parish Lovejoy Award. The text is neatly organized in a bulleted list, making it easy to follow the progression of titles and accomplishments. The overall layout is clean and typical of Wikipedia's style, with a simple white background and standard font.
10:00 PM (e)

10:00 p.m. (d)

Moving cross the borders
The image depicts an office setting, likely from the mid-20th century, characterized by a black-and-white photograph. The scene captures a bustling workspace with fluorescent lighting and employees engaged in their tasks. In the foreground, two men dressed in suits stand closely together, involved in a discussion. One of them is identified as AM Rosenthal. They are examining a document intently, suggesting a review or decision-making process. Rosenthal wears glasses and a striped tie, while the other man holds a piece of paper and wears a suit with a checkered pattern. In the background, several desks are visible with typewriters, telephones, and paper stacks, typical of a busy office environment. The decor includes wall calendars, and a clock can be seen, adding to the period-specific details. The atmosphere appears to be serious and focused, with two other individuals slightly out of focus, possibly engaging in their own work at a nearby table. The overall composition conveys a sense of professionalism and the collaborative nature of office work.
10:00 PM (f)

10:00 p.m. (f)

Looked through The Paper

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The image features Richard Nixon, as indicated by the hint, seated at a large office desk covered with numerous stacks of papers. He is in the process of examining a long, continuous sheet of paper, which he holds up for review. The setting appears to be an official office, likely the Oval Office, given the grandeur of the surroundings. Behind him, large draped curtains frame the windows, and flags stand on either side, enhancing the formal atmosphere. Nixon is wearing a dark suit, typical of his presidential attire, and his expression conveys concentration and seriousness as he reviews the documents. The lighting casts a purplish tint over the image, giving it a somewhat vintage feel. The desk is cluttered with papers, folders, and pens, suggesting an environment of intense work and documentation. This scene captures a moment of administrative or decision-making processes during Nixon's presidency.
10:00 PM (g)

10:00 p.m. (g)

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In this black and white photograph, two men are seated in an office setting, engaged in a conversation. On the left, a man with dark hair and glasses, identified as AM Rosenthal, is holding a pipe in his mouth while handling a stack of papers. He is dressed in a formal suit with a bow tie, exuding a professional aura. His expression is focused yet relaxed, suggesting involvement in a thoughtful discussion. To his right, another man, also wearing glasses and a suit with a tie, is smiling, indicating a lighthearted or agreeable interaction. The table in front of them is cluttered with papers, suggesting a busy work environment, typical of a newsroom or editorial office. A classic rotary telephone is visible in the foreground. The background features a window with blinds partially drawn, contributing to the office atmosphere. The overall mood is one of collaboration and intellectual engagement, characteristic of media and journalism settings of the era.
10:00 PM (h)

10:00 p.m. (h)

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████ it’s either black or white

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This black and white portrait features AM Rosenthal, displaying a formal and professional demeanor. He is seated, facing slightly to the side, with a neutral expression. Rosenthal is wearing a striped dress shirt paired with a dark tie, indicative of a formal or business setting. His dark, neatly combed hair and thick-rimmed glasses contribute to a scholarly or authoritative appearance. The background is plain, which focuses attention on Rosenthal himself, suggesting this could be a professional portrait used for official purposes, such as a publication or a corporate biography. The lighting is soft and even, adding to the clarity and focus on his facial features. There are no visible objects or text in the image, maintaining the emphasis on his persona.
10:00 PM (i)

10:00 p.m. (i)

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Abraham Michael Rosenthal, referred to as AM Rosenthal, is the focal point of this webpage from acanu.ch. The black and white image prominently features him, wearing a suit and tie, sitting and holding a copy of the New York Times. His expression is one of focus and engagement, suggesting his deep involvement in journalism. The text details his achievements, noting his leadership of The New York Times during a critical period of change. Rosenthal was a Pulitzer Prize-winning foreign correspondent, recognized for articles about Poland, and received numerous awards, including the Presidential Medal of Freedom. The narrative highlights his influence and contributions to journalism, emphasizing his role in modernizing and shaping the New York Times. The layout is clean, with the text aligned next to the image, creating a professional and respectful tribute to Rosenthal's career and legacy. - Title: "Abraham Michael Rosenthal" - Site / app: "acanu.ch"
10:15 PM

10:00 p.m. (j)

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The image is a scene from the film "Oppenheimer," depicting a formal and intense setting within a courtroom or official hearing. The foreground features a central figure, a man in a dark, pinstriped suit and tie, wearing round glasses. His expression appears serious and focused, contributing to the gravity of the moment. Surrounding him are other men, also dressed in formal attire, suggesting a gathering of significant importance, possibly involving legal or governmental proceedings. The lighting is subdued but clear, emphasizing the formal atmosphere and the tension in the room. The background shows a group of individuals seated closely together, all appearing attentive to the ongoing event. The caption on screen reads, "given what's at stake," hinting at a critical discussion or decision being made. The overall composition suggests a pivotal moment, with the characters deeply engaged in the unfolding events.
10:15 PM (b)

10:00 p.m. (k)

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A gravestone marking the resting place of AM Rosenthal is featured prominently in this image. The stone is a polished gray granite, rectangular in shape, and set flat into the ground. It is surrounded by fallen autumn leaves in shades of brown and gold, indicating the season. The engraving on the stone reads "A. M. Rosenthal," accompanied by the phrase "He kept the paper straight," which suggests his significant contribution to journalism. Below this, the dates "May 2, 1922 - May 10, 2006" are inscribed, marking his lifespan. The setting appears to be a cemetery, providing a solemn and respectful backdrop to the scene. The lighting is natural, possibly suggesting a calm, overcast day, which adds to the reflective mood of the image.
10:15 PM (c)

10:15 p.m.

In my secret life

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The screenshot features an article from the New York Times website, titled "Why Are People Still Pressing Flowers? It’s a Form of Storytelling." The article is part of the "Homes: Inside and Out" section. The focal image shows a collection of vibrant, pressed flowers laid out on an open notebook. A hand is delicately placing or adjusting a small flower on the page. The flowers are primarily purple, with some white and blue, scattered around on a teal wooden surface. The composition is bright and colorful, highlighting the natural beauty of the flowers against the rough texture of the wood. The surrounding text includes headlines for other articles, such as "How Pros Style Vacation Snaps and Kids’ Artwork," "A Queens Woman Goes to Housing Court," "$780,000 Homes in New York, Georgia, and Texas," and "Houses Are Still Big. Prices Are Bigger." These provide insights into various lifestyle and real estate topics. The overall mood of the page is informative and visually engaging, catering to readers interested in home, art, and nature-related subjects. - Title: "Why Are People Still Pressing Flowers? It’s a Form of Storytelling." - Site / app: "nytimes.com"
10:30 PM

10:30 p.m.

[HD] He Mele No Lilo - Lilo and Stitch

https://youtu.be/yIwUjrvaXjM

உண்மை நிகழ்வுகளால் ஊக்கமளிக்கப்பட்டது, கதைக்காகத் திருத்தப்பட்டது. உண்மை நிகழ்வுகளால் ஊக்கமளிக்கப்பட்டது, கதைக்காகத் திருத்தப்பட்டது. உண்மை கதை.