Cross Hymn, Radio Star

மார்ச் 15, 2024 Lehan Edirisinghe

A brief page about Cross Hymn and Radio Star.

This illustration depicts a serene and inviting portrayal of Jesus Christ. The artwork captures Jesus with open arms, symbolizing welcome and acceptance. He is dressed in a flowing white robe, which is a common representation of purity and holiness. The background is a soft blend of light and clouds, creating an ethereal and divine atmosphere that enhances the spiritual theme of the image. The lighting is gentle, focusing on Jesus' face and hands, which adds a sense of warmth and compassion to his expression. The brushwork is smooth, contributing to the serene and calming mood of the piece. There is a sense of movement in the way the robe drapes, suggesting an invitation to step forward. The illustration focuses on conveying a message of peace, love, and openness.

Rewriting “At the Cross” as a Vote Lehan Hymn

5:15 a.m.

At the cross at the cross where I first saw the light

https://youtu.be/z36ifo5PYwE

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At the vote, at the vote

Where I first cast my vote

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Was it for crimes that I have done

He wrote all over Facebook?

Amazing pity, grace unknown

And brave beyond degree

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When Lehan led us forward,

For man the future's untold

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But autocratic rule can ne'er repay,

The debt of life I owe:

Here friend, I give my vote your way,

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Italian Food, Trump Reminders and Exhaustion

6:00 a.m. (b)

I'm exhausted. I am watching this. He reminds me of Trump. I also really like Italian food, their Italian cuisine is really great. I love pizza, and spaghetti. The Italians made some of the best foods.

Liking This Movie

6:00 a.m. (c)

hehehehe

I like this movie

Calling the Diary Original Content

6:00 a.m. (d)

This is often said

All of this stuff you read here on my diary is original content

A “Racist Awards” List of Actors

6:00 a.m. (e)

Racist Awards:

1. White:

Al Pacino.

2. Black:

Samuel L Jackson

3. Yellow:

Jackie Chan

4. Brown:

Did you know, that █████ O'Neil, is ██████████████████████████

Saying the Guy Is Like Trump

6:15 a.m. (b)

Guy's like Trump

The image depicts a stack of newspapers with a prominent headline from "The New York Times." The visible headline reads, "YES, IT'S HOTTER, IT'S MUGGIER, AND, YES, YOU'RE GOING CRAZY," capturing the oppressive heat theme from the film "Do the Right Thing." The newspapers are neatly piled, suggesting a setting inside a shop or newsstand. The overall color palette is a muted sepia, evoking a vintage or nostalgic feel, which aligns with the film’s late 1980s aesthetic.
The top newspaper features a black and white photograph of people gathered, possibly reflecting the community scenes from the movie. To the left, an article titled "Review of Pentagon's Contracts Finds Overcharges Are Common" is visible, adding a political and serious tone to the front page. The name "The New York Times" is prominently displayed at the top along with the date, reinforcing the credibility and authenticity of the setting. This newspaper piece is a key element in establishing the film’s setting during a particularly hot day, a central element around which the movie's plot unfolds. The image effectively captures a snapshot of the social and environmental conditions central to "Do the Right Thing."

Barry Obama’s Favorite Newspaper

6:15 a.m. (c)

Me and Barry's (Obama) favorite newspaper!!!!

Saying US Law Enforcement Sucks

6:30 a.m.

US law enforcement kind of sucks

Lessons From The Sopranos and Sandberg’s Meetings

6:45 a.m.

The only things I learned, watching so many hours of The Sopranos:

1. Finocchio means ponnaya or f***ot

2. "Stop breaking my balls all the time"

3. Finook

4. Va Fangool

5. con te partiro

***

Sandberg's watched it with her feminazi cult, to "toughen them up" and then she has been telling them to copy.

And they have been saying, "stop busting my balls"

When Sandberg went to meetings with Zuck

Zuck's like Cambridge analytica and this or that

A bat a boop a whatever

And Sandberg's looking at him

And she's like

Why you gotta break my balls all the time?

Spike Lee’s Cinematography

6:45 a.m. (b)

Spike Lee did a good job, I like this cinematography

Searching Racist Terms for Friends as a Joke

7:00 a.m. (b)

I also, search for racist terms for my friends

I think it's funny

Anura K Superstar Winning While Lehan Predicts Victory

7:00 a.m. (c)

Anura K Superstar might seem to be winning

And Lehan's nowhere

0 percent

But

I'm still going to win

Nawaz Raheem, a Koran and a Crude Joke

7:00 a.m. (d)

My grandma was friends with Nawaz Raheem, who was a GM at Sumathi

Afflli, his son was at my firm, good, friendly dude

He gave me a big koran

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I think it's a nice, good book

Not very much different from the

Well, I know it's called the Tanuk

Sigh

But I really prefer to call it "████████████"

Because I think it's funny

The image is a scene from the film "Do the Right Thing." It shows a man sitting outdoors on a folding chair near a stoop in an urban setting. He is dressed in a light gray suit with a matching hat, and he's holding a bottle, possibly a drink, in his right hand. His expression appears relaxed and contemplative. The setting features worn stairs leading to a building entrance and several red trash cans lined up near a black iron fence. The lighting suggests it is daytime, with warm tones casting a soft glow across the scene, which complements the earthy colors of the building and the man's attire. The atmosphere conveys a laid-back, everyday moment on a city street. The subtitle reads "Parliament-Funkadelic," adding an auditory element to the visual scene.
- Captions / subtitles: "Parliament-Funkadelic,"

Parliament, Jonathan and Giving Up the Funk

7:15 a.m.

Parliament is good. I introduced them. Or I was listening to them, and Jonathan was there, and he also liked it, and went crazy for the funk. Gotta give up the funk, gotta tear up the mothersucker

Joking With Friends Without Wanting Harm

7:15 a.m. (c)

I might joke or tease my friends, but never to harm or injure them

Mikey Selling Coca Cola Shaved Ice

5:45 p.m.

I think Mikey was selling this at the school fare

Shaved ice

I liked the Coca Cola flavor

Saying This Guy Is Just Like Trump

6:00 p.m.

This guy is just like Trump

Calling It Obvious

6:00 p.m. (b)

Called it! But it was pretty obvious here.

Zuck and “Stop Busting My Balls”

6:00 p.m. (d)

Stop bustin' my balls

Man, Zuck, why'd you gotta bust my balls all the time?

American Psycho, The Godfather and Writing Inspiration

6:15 p.m.

Because American Psycho is my favorite movie. And I used to list Godfather in my top 10 for so long. I would draw inspiration in my own writing. So it might seem like I'm a psycho or a gangster, but I'm actually not.

In this scene from "Do the Right Thing," two characters are engaged in an animated conversation on a dimly lit street at night. The character on the left is wearing a white t-shirt with colorful graphics, standing with arms crossed and a defiant expression. The character on the right wears a yellow, striped shirt with a vibrant pattern, accessorized with glasses and jewelry. Their posture suggests a casual camaraderie, although the conversation seems to carry some tension or urgency.
The background is adorned with a variety of posters, some of which are partially torn or covered with graffiti, contributing to the gritty urban atmosphere typical of the film. The lighting is warm, casting soft shadows and enhancing the vibrancy of their clothing, while the wall behind them is a mix of brick and plaster, adding texture to the scene.
The subtitle reads, "Gonna tell me — Tell me, Radio Raheem, to turn down my box and shit, man," indicating a conversation possibly about music or personal space. The use of "Radio Raheem" is a reference to a character known for his love of loud music, a thematic element in "Do the Right Thing." The scene captures the essence of street life and the dynamics within the community depicted in the movie.

The Buggles’ “Video Killed the Radio Star”

6:45 p.m.

The Buggles - Video Killed The Radio Star (Official Music Video)

https://youtu.be/W8r-tXRLazs

[Verse 1: Trevor Horn, Debi Doss & Linda Jardim]

I heard you on the wireless back in '52

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The image is a scene from the film "Do the Right Thing." It captures a dramatic moment indoors, with three men standing in close formation. The man in the foreground on the left wears a white T-shirt featuring a colorful abstract design, with the words "DO OR DIE" visible. The man in the center wears a yellow shirt, glasses, and a similarly styled necklace. Both men exhibit serious expressions, contributing to the intense atmosphere of the scene. In the background, a third man is partially visible, adding depth to the composition. The setting appears to be a room with ornate tin ceilings, suggesting a location with rich texture and history. The lighting casts warm tones, enhancing the emotional weight. The subtitle "♪ Fight the power ♪" is displayed at the bottom, indicating a key moment underscored by impactful music, reinforcing the film's themes of resistance and empowerment.
- Captions / subtitles: "♪ Fight the power ♪"

Rewritten by Machine on New Technology

6:45 p.m. (b)

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Rewritten by machine on new technology

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Asking “What Did You Tell Them?”

6:45 p.m. (c)

[Pre-Chorus: Trevor Horn, Debi Doss & Linda Jardim]

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What did you tell them?

The screenshot is from the film "Do the Right Thing." It depicts a scene set indoors, likely in a shop or common area. The lighting is warm and somewhat dim, contributing to an intense and confrontational atmosphere. In the foreground, a man is standing behind a table with various electronic components scattered around, including a radio. He appears to be speaking forcefully, as indicated by the subtitle: "I just killed your fucking radio." His expression is serious, suggesting a moment of tension or conflict. He is wearing a black shirt adorned with cactus patterns, a necklace, and has an earring, adding to the character's distinctive style. The background shows a bulletin board and part of a vending machine. This scene captures an emotionally charged interaction, reflective of the film's exploration of social and personal conflicts.
- Captions / subtitles: "I just killed your fucking radio."

Video Killed the Radio Star

7:00 p.m. (d)

[Chorus: Trevor Horn, Debi Doss & Linda Jardim]

Video killed the radio star

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Repeating “Video Killed the Radio Star”

7:00 p.m. (f)

[Chorus: Trevor Horn, Debi Doss & Linda Jardim]

Video killed the radio star

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Can’t Rewind, Gone Too Far

7:00 p.m. (g)

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Police Came and Broke Your Heart

7:00 p.m. (h)

Police came and broke your heart

A Radio Star Refrain

7:00 p.m. (m)

██████████████████████████ radio star (A, a radio star)

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They All Killed the Radio Star

7:00 p.m. (n )

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██████████████ They all killed the radio star

The image is a dramatic scene from the film "Do the Right Thing." It depicts an intense fire engulfing a wall adorned with framed photographs. The flames are vivid, casting an orange glow over the scene, creating a sense of chaos and urgency. The intricately patterned ceiling and hanging lamp suggest the setting is an indoor space, possibly a restaurant or community center, given the "OF ME" text partially visible on the wall, which might be part of a larger phrase like "Hall of Fame."
The scene is filled with energy and tension, emphasized by the repetitive caption "Radio! Radio! Radio! Radio!" suggesting a climactic moment involving sound or communication. The composition focuses on the destructive power of the fire, with the photographs serving as poignant reminders of personal or community history being consumed by the flames. This visual effectively conveys themes of conflict and change central to the film's narrative.
- Captions / subtitles: "Radio! Radio! Radio! Radio!"

A Radio Star

7:15 p.m.

█████████████████████████████████████ (A, a radio star)

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You Are

7:15 p.m. (b)

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A Radio Star

7:15 p.m. (c)

(A radio star)

Radio Star

7:15 p.m. (d)

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You Are a Radio Star

7:15 p.m. (e)

(You are) ███████████████████████████ (A, a radio star)

A Radio Star Refrain

7:15 p.m. (f)

(A radio star) ███████████████████████████

You Are

7:15 p.m. (g)

(You are) ███████████████████████████

Calling Political Leaders Elderly and Out of Date

7:45 p.m.

Yes, they're all very elderly. They're not very up to date as well. There has to be young people taking the lead.

Podi Hamaduru’s Coca Cola Story and Retirement Age

8:00 p.m.

I remember Podi Hamaduru at Gangaramaya Temple, he was visiting our house. As he's quite friendly with us, if not the most friendly with anyone. And he was telling me, oh some of these kids are very clever, you can't fool them. He was saying that some kids were with the parents. The dad has been like they don't drink liquor anymore. And the kid's pointed out, they drink "soft drinks" like Coca Cola. This Podi Hamaduru told me this story a long time ago, it stuck with me.

I'm not for adding a "retirement age". I think discriminating against old people, or the elderly, is wrong. I think Joe Biden is perfectly capable. He might be feeble or senile or decrepit, but that's natural. This doesn't disqualify him from serving, as his judgement, isn't impaired, his mental faculties are sound. He seems to have everything together. I think the opposite, when someone retires, their life, their health, it worsens. Their lives become meaningless. The answer is to widen the age of entry, to treat young people as adults, let them vote, to take part in leadership and to focus on results. Lee Kuan Yew worked till the day he died, as he felt that if you stop working or doing stuff, there's no real point.

I'm 30 years old. The past minimum age was 30, Sirisena has increased it to 35 with an amendment which included many new rules, designed to keep Rajapaksa out of office. But we can ask people to provide an exemption, if there are enough petitions, it's enough to get through this obstacle or hurdle.