බිල් මරන්න, අලි ඇවිල්ලා

January 18, 2022

The image is a close-up shot from the film "Kill Bill: Vol. 2," viewed on VLC media player. It features Uma Thurman, who is the central focus. Her face is prominently displayed, covered in dirt and grime, suggesting a tense or action-packed sequence. The lighting is natural, highlighting her intense expression and the rugged texture of her skin. Her eyes are slightly narrowed, conveying determination and focus. The background is blurred, keeping the attention on her face. Her hair is loose and unkempt, further emphasizing the gritty and raw atmosphere of the scene. The VLC media player controls and time stamps are visible at the bottom, indicating the video's progress and playback settings. The timestamp shows the video is at 1 hour, 5 minutes, and 35 seconds with 1 hour and 11 minutes remaining, and the playback volume is at 90%. The computer's clock reads 7:25 AM on January 18, 2022.

7:30 AM

7:30 a.m.

I seem to be having a good time. I love Kill Bill, it's worth a 8, or more, a 9.

I think it's a beauty. I like all 10 of my songs equally, not more, or less, but the same, all equals.

I love Quentin's dialogue, the prolonged suspense, the subtext, it's a real thing of beauty.

The artful poetry, the rhyming of it all, glorious.

I also liked the movie Basic Instinct.

It had the begin and end, poetry of that movie, After Hours, by Martin Scorsese, which is terrific to re-watch.

I have minor headaches, minor flashbacks of ███████, I don't want any relationship with ██████████████

The screenshot shows a scene from the film "Kill Bill: Vol. 2" playing in VLC media player. The image features a young girl wearing a light-colored nightgown standing outdoors at night. She is energetically holding up an object with both hands, possibly pretending to shoot or aim. The background is adorned with lush greenery, including palm trees and potted plants, illuminated by soft lighting that contributes to a serene nighttime ambiance. In the foreground, a lounge chair with a colorful towel is partially visible. The colors are subdued, with the night providing a dark backdrop that contrasts with the more vibrant plants and warm lighting. The VLC interface is visible at the bottom, displaying media controls and a progress bar indicating the video is about halfway through. The title bar at the top specifies the movie's title, "Kill Bill: Vol. 2."

8:00 AM

8:00 a.m.

Nancy Sinatra - Bang Bang (My Baby Shot Me Down):

https://youtu.be/qgDrpWWxuto

This image is a title screen from the movie "Elephant Walk," released by Paramount Pictures Corporation. The text "ELEPHANT WALK" is prominently displayed in large, stylized lettering, set against a decorative background featuring traditional artistic motifs that appear to be inspired by Asian or tropical themes, possibly hinting at the movie's setting. Beneath the title, the copyright notice is visible, stating "Copyright MCMLIII by Paramount Pictures Corporation," which indicates the movie was released in 1953. The background features intricate designs, potentially depicting cultural or historical scenes, which add to the exotic ambiance of the movie's theme. The colors are rich and warm, predominantly reds and browns, creating a sense of depth and intrigue. This title screen effectively sets the tone for a classic film experience, offering a glimpse into the style and presentation typical of mid-20th-century cinema. The framing and composition focus solely on the text and background artwork, making it clear and impactful for the audience.

11:00 AM

10:45 a.m.

I am watching this now.

Elephant Walk 1954.

It was shot in SL.

```
The image is a video frame from a classic film titled "Elephant Walk" from 1954, as indicated by the on-screen text. The setting appears to be an indoor office or library, evidenced by the bookshelves filled with books in the background. Two women are engaged in a conversation. The woman on the left, wearing a gray coat and a hat, seems to be speaking, while the woman on the right, dressed in a blue button-up blouse, is writing something down in a notebook. The lighting is warm, coming from a lamp mounted on the wall in the background, which casts a soft glow over the scene. The decor includes a painting and a figurine, adding a touch of personality to the setting. The mood appears relaxed and professional, as they are focused on their tasks. The video appears to be playing in a media application, "Movies & TV," as suggested by the interface at the bottom of the frame. The scene is devoid of captions or subtitles, focusing attention on the interaction between the characters.

11:00 AM (b)

11:00 a.m.

"Oh he's John Willey, he's a Tea Planter from Ceylon!"

The image is a video frame from the 1954 film "Elephant Walk." It features an elderly man standing indoors, wearing a traditional white outfit with a high collar. The attire includes an embroidered elephant motif on his chest, adding a cultural touch to his formal appearance. His hair is white and neatly combed back, and he sports a prominent mustache, giving him a distinguished look. The background is slightly out of focus, with several men in similar white attire, suggesting a formal or official setting. The man’s expression is serious yet composed, indicating he might be engaged in a significant conversation or event. The lighting is soft and even, highlighting his facial features and the details of his outfit. The overall composition directs attention to the central figure, emphasizing his role in the scene.

11:30 AM

11:30 a.m.

This guy must be JR Jayawardene!

The image is a frame from the 1954 film "Elephant Walk." It depicts a scene set indoors, possibly in a spacious room with ornate decor. In the foreground, a woman in a white dress is engaged in conversation with a man in a light-colored suit. He appears to be bending slightly, with his hand near a stack of boxes, suggesting they might be in the process of moving or organizing items. Two other men are present: one in a dark suit with glasses, and another in traditional white attire, likely indicating cultural or regional significance. The background shows a large wooden cabinet with decorative pieces on top, adding to the room's elegance. The lighting is bright, highlighting the characters and their actions. The attire and decor reflect the mid-20th century setting, contributing to the film's dramatic atmosphere. The title text on screen reads "Elephant Walk 1954 Dvdrip," indicating the film's name and format.

1:00 PM

1:00 p.m.

They had Cholera in this movie, just like Covid-19.

The image depicts a serious character from the 1954 film "Elephant Walk." The setting appears to be indoor, with a subdued atmosphere. The character is an older man with a distinctive white mustache and hair, conveying a sense of authority and dignity. He is wearing a traditional outfit, which is white with a high collar and features a black embroidered design of an elephant on the chest. The expression on his face is stern, suggesting a moment of contemplation or decision. The lighting is soft and focused, accentuating his facial features and the detailed embroidery on his attire. The background is slightly blurred, putting the focus on the character, and it hints at a setting rich in cultural or historical significance.

1:00 PM (b)

1:00 p.m.

(b)

Back then, they were scared of vaccines too.

The image is a video frame from the official trailer of the 2021 Sri Lankan movie titled "NOBODY KNOWS කවුරුවත් දන්නේ නැහැ." The scene features Sangeetha Weeraratne, as identified by the user hint. She is indoors, possibly in a domestic setting, as suggested by the wooden chair and lamp in the background. Sangeetha is dressed in a traditional saree with a pearl necklace, indicating a formal or cultural context. Her expression appears serious or inquisitive, fitting for a conversation or confrontation. The lighting is warm and soft, creating an intimate atmosphere. The dialogue subtitle reads, "Looks like you are partying, ah ...," suggesting a casual or slightly confrontational remark. The video is hosted on YouTube, and the frame is timestamped at 0:28 of a 2:25-minute trailer.

1:30 PM

1:30 p.m.

This is a nice movie, Nobody Knows (2021), that is being released soon. If it hasn't already.

I will go to see it!

They have used a Red helium 8k camera to shoot it. I am waiting to buy a Arri Alexa LF 65 with DNA lenses from California office, to shoot with.

Sangeetha Weeraratne (a FB friend), I call Sangeetha aunty, is starring in it.

It's tackling Sri Lanka's serious corruption problem.

I think Sangeetha aunty, we might have to protect, or else her house will be burned down like ███████████████████████████████████████████████████ arson the homes of two actresses who criticised her.

I remember going to the supermarket with her, she bought me donuts, EVERYONE was staring at her.

https://youtu.be/NKwJ_gv--KM

2:15 PM

2:00 p.m.

I could hear my mum and brother screaming at each other, in Sinhala, Milan is very rude to her. They were fighting over a suit.

Milan insultingly referred to me as "that ██████!" and claims I am "not doing anything".

Which isn't true! I do more work in a few minutes than he does in his entire year.

A number of his █████████ PLC directors, they want to work for me!

I am singing, Jacques Huyghebaert's song:

"I'll make a GM out of you!"

In this scene from the film "Birdman," Michael Keaton's character is captured in a tense moment inside what appears to be a dimly lit dressing room. The lighting casts shadows, creating a somber atmosphere that matches the serious tone of the situation. Keaton, wearing a dark gray button-up shirt, appears deep in thought, his hand placed on his chest as if contemplating or feeling stressed. The room is cluttered, with a makeup mirror lined with light bulbs visible on the right side of the frame, suggesting a theater setting. In the background, there is an air conditioning unit under a small window, adding to the room's utilitarian feel. The subtitle reads, "Now you're about to destroy what's left of your career," indicating a critical and introspective moment for the character. The entire composition and mood reflect themes of self-reflection and the pressures of maintaining a career in the arts.

5:45 PM

5:45 p.m.

Kanchana Ratwatte!

පෙර දිනය ඊළඟ දිනය