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Halo Fear, Brother Co-op

November 25, 2023 Lehan Edirisinghe

Halo CE memories peaked at 343 Guilty Spark terror. Co-op with Milan followed, easing fear and softening the bullying streak

A video frame from YouTube showcases a cooking scene titled "Grown Up Sloppy Joes" by Brian Lagerstrom. The scene is set in a modern kitchen, where a person is pouring a can of red sauce into a pan filled with browned ground beef on a stovetop. The pan is on a gas burner, suggesting active cooking. The person's hand is visible, holding the can at an angle to pour the sauce evenly over the meat. The stove is metallic with a sleek design, hinting at a contemporary kitchen setup. This adds a professional aesthetic to the cooking process. The image captures the moment in action, contributing to the dynamic feel of the cooking demonstration. The video frame is part of a tutorial or recipe video, offering viewers a detailed look at how to make a refined version of the classic sloppy joe. - Title: "Grown Up Sloppy Joes" - Channel / profile: "Brian Lagerstrom" - Site / app: "YouTube"

Minced Beef and Sloppy Joe Sauce

2:30 p.m. (c)

Minced beef

Browned

Add sloppy Joe sauce

I haven't tried this

But it sounds pretty good

The screenshot captures a YouTube video titled "Examining Halo's Scariest Mission" from the channel "Ben Plays Games." It's a gameplay video featuring "Halo," a popular sci-fi first-person shooter game. The scene shows a player in a virtual environment, with a first-person perspective. The player holds a futuristic weapon, indicated by the ammo count and weapon display at the bottom right of the screen. A marine character is visible crouching near a large, purple alien structure. The setting is indoors, with a dim, metallic ambiance typical of sci-fi games, enhancing the eerie mood. The interface displays health and ammo stats at the top left. This video seems to explore a specific mission in the game known for its intense and scary moments. The YouTube interface is visible, showing options like share, download, and thanks. The video is paused at 9:28 out of an 18:18 runtime, and it has received 40K likes.

Halo CE, 343 Guilty Spark and Letting Milan Play

4:00 p.m.

I played Halo 1 CE when it came out. I was like 8 or 9 or maybe 10. I remember killing my dad in multiplayer mode with a plasma pistol in Blood Gulch or Coagulation. I remember it read M for Mature. So I didn't let my brother Milan, who is 2 or 3 years younger play. Or even see. I demanded he not even look at the tv when I played selfishly. But then when I got to 343 guilty spark. It scared the living f***ing s*** out of me (aged 10). Yeah, I was kind of a bully. But then I had a change of heart, as us bullies are cowards. And then I let Milan play cooperative mode with me "as a friendly, good big brother". So I was not alone and afraid.

The image is a frame from a YouTube video titled "The House that Master Chief Built: Tour of Steve Downes' Chicago Condo, Voice Over Studio." It features a close-up of a man, identified by the hint as Steve Downes, holding a small dog. The man has a bald head, facial hair, and is wearing a collared shirt, suggesting a casual and relaxed setting. He appears to be speaking, as indicated by the subtitles that read, "oh that's right you're a PlayStation fan I forgot," adding a humorous touch to the scene. The dog, possibly a small mixed breed with light brown fur, is looking attentively ahead. The background is slightly blurred, indicating a focus on the man and the dog. The lighting is soft and evenly distributed, typical of an indoor interview or personal tour video. The video likely explores aspects of Steve Downes' home and professional life, particularly his voice acting career related to the character of Master Chief. - Title: "The House that Master Chief Built: Tour of Steve Downes' Chicago Condo, Voice Over Studio" - Site / app: "YouTube" - Captions / subtitles: "oh that's right you're a PlayStation fan I forgot"

Laughing With a Smile

4:30 p.m.

Hehehe

: )

Ron Perlman is featured in a YouTube video titled "The Voice Acting in Halo 3," which is on the HALO CODEX channel. This screenshot captures him in a recording studio, demonstrating his voice acting skills for the character Lord Hood in the game "Halo 3." Ron Perlman is wearing headphones and is positioned close to a microphone with a pop filter, suggesting he is in the midst of a voice recording session. The background features a patterned wall, adding a decorative element to the studio setting. The lighting is soft and focused on Perlman, emphasizing his concentration on the task. The interface shows the video has a duration of 3:44, and the progress bar indicates it is 31 seconds in. There is a visible overlay of text identifying him and his role, and the video has accumulated a significant number of likes, indicated by the "38K" thumbs-up icon.

Learning Ron Perlman Voiced Lord Hood

5:00 p.m.

I had no clue Ron Perlman voiced Lord Hood

``` The video frame from YouTube captures a moment from a video titled "The Voice Acting in Halo 3," posted by the channel HALO CODEX. The focus is on a script from the game "Halo 3," prominently displaying dialogue lines from characters like the Arbiter and Chief. The document is viewed in close-up, with text clearly visible in a structured layout, implying a scene of voice actors or developers discussing or rehearsing lines. The script includes dramatic lines such as "Arbiter: I trusted you!" and "Chief, I gotta stop you." The setting appears to be indoors, likely in a recording or review session. The lighting is neutral, typical for an office or studio environment, and the frame emphasizes the importance of dialogue in the game's storytelling. Subtitles at the bottom mention "thirty five thousand lines of combat battling," highlighting the volume of voice work involved in the game. The video likely discusses the depth and complexity of voice acting in "Halo 3," with a focus on character interactions and narrative elements.

Ron Perlman in Drive and a Fat Flying Kite Line

5:00 p.m. (b)

Ron Perlman in Drive, is like, he calls me "fat flying kite" to my face

And Jonathan watching is like

Oh my g-d

Just like █████

Like all the time

Lee Kuan Yew is featured on the cover of TIME magazine, dated April 6, 2015. The cover is a tribute to him, marking the years 1923-2015, signifying his birth and passing. The black and white photograph captures Lee Kuan Yew in a medium close-up shot. He is wearing a light-colored shirt with a visible logo on the collar, looking slightly to the side with a thoughtful expression. The overall tone is somber yet respectful, aligning with the nature of a tribute. The iconic red border and large, bold "TIME" title are prominently displayed at the top, typical of the magazine's design. The simplicity of the composition, along with the monochromatic theme, emphasizes the significance of Lee Kuan Yew's impact and legacy. The image conveys a sense of reverence and reflection, commemorating his contributions and leadership. - Title: "TIME" - Site / app: "time.com"

Taylor Swift’s “Starlight”

6:15 p.m.

Taylor Swift - Starlight (Taylor's Version) (Lyric Video)

https://youtu.be/lPvcwgEuKTg

[Chorus]

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Never would forget how he moved

The cover of TIME magazine features a striking portrait of Lee Kuan Yew, the former Prime Minister of Singapore. He is prominently placed in the center, dressed in a dark suit with a white shirt and patterned tie, exuding a demeanor of calm authority and wisdom. The lighting is dramatic, casting shadows that add depth to his facial features and highlighting his gentle smile, conveying a sense of confidence and experience. The background is softly blurred, focusing attention entirely on Lee Kuan Yew. The cover headline reads "THE MAN WHO SAW IT ALL," suggesting a focus on Lee Kuan Yew's extensive experience and insights. Additional text highlights upcoming discussions at the East Asia summit regarding the rise of China, the role of the U.S., the future of Singapore, and the uses of faith, indicating the breadth of topics Lee Kuan Yew is engaged with. The recognizable red border and TIME logo frame the image, reinforcing its authoritative journalistic style. The top of the cover includes references to geopolitical issues and cultural commentary, such as "IRAQ: DIVIDE & CONQUER?" and "SPIELBERG'S SECRET MASTERPIECE," providing context to the era's pressing concerns and cultural landscape. - Title: "THE MAN WHO SAW IT ALL" - Site / app: "TIME"

A “Starlight” Fragment About Dressing to the Nines

6:15 p.m. (b)

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The image is a magazine cover from Forbes Asia, featuring a black and white portrait of Lee Kuan Yew. He is seated, wearing a suit and tie, exuding a dignified and confident demeanor. His expression is a mix of seriousness and warmth, suggesting a moment of reflection or contentment. The background is simple, keeping the focus on Lee Kuan Yew himself. The text on the cover highlights him as a "Standard Setter," noting the years of his life, 1923-2015, indicating a tribute to his legacy. The headline at the top reads, "SINGAPORE STRAINS WITH ITS SUCCESS," suggesting an exploration of Singapore's growth and challenges. Additional text mentions Steve Forbes and others remembering Lee Kuan Yew's impact on Asia. The overall composition and presentation underscore the significance of Lee Kuan Yew's contributions and leadership in shaping Singapore's success. - Title: "Standard Setter" - Site / app: "Forbes"

A Short “Starlight” Fragment

6:15 p.m. (c)

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The image is a black-and-white portrait featuring Lee Kuan Yew alongside a woman, likely in a formal setting. Lee Kuan Yew is dressed in a suit with a tie, exuding a composed and confident demeanor. The woman is wearing a traditional, patterned dress with short sleeves and glasses, smiling warmly at the camera. They are seated closely together, suggesting a sense of intimacy or partnership. The background shows a curtain with a leaf pattern, indicating an indoor setting. The lighting is even, typical of portraiture from the mid-20th century, highlighting their features without harsh shadows. The overall mood is formal yet relaxed, capturing a moment of personal significance.

A “Starlight” Verse About Harry and Raffles

6:15 p.m. (d)

[Verse 1]

I met Harry in College, Raffles of '36

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Pretending to be a duchess and a prince

In the image, Lee Kuan Yew is giving an outdoor speech, standing behind a podium equipped with multiple microphones. He is wearing a light-colored short-sleeved shirt, which contrasts with his silver hair, providing a sense of authority and presence. His arms are outstretched in an expressive manner, suggesting he is emphasizing a point during his address. The background is slightly blurred, with the leafy branches of a tree visible, indicating the event is taking place in a natural, open-air setting. The lighting is bright and natural, typical of a daytime event. Lee Kuan Yew's facial expression appears serious and focused, conveying the weight and importance of his message. There is no visible on-screen text or specific branding in the image, allowing the focus to remain on his commanding presence and oratory gesture.

A “Starlight” Chorus About How He Moved

6:15 p.m. (e)

[Chorus]

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██████████████████████never would forget how he moved

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Lee Kuan Yew is captured in a black and white photograph, sitting at a table during what appears to be an interview or a formal discussion. He is dressed in a dark suit with a neatly folded pocket square and a light-colored tie, exuding a sense of professionalism and authority. His hair is neatly combed back, and he wears a serious expression, indicative of deep thought or focus. The setting is simple and formal, with a dark background that contrasts with his lighter attire, highlighting his presence. In the foreground, there is a microphone visible, suggesting a broadcast or recorded interview. The tabletop is sparsely occupied, with what seems to be an ashtray near the microphone, indicative of the era when the photograph was likely taken. The composition centers on Lee Kuan Yew, emphasizing his significance in the scene. The overall mood conveys an atmosphere of importance and gravity, fitting for a political figure engaged in a public or significant conversation.

A “Starlight” Verse About Worrying Too Much

6:15 p.m. (f)

[Verse 2]

He said, "Look at you, worrying too much █████████████████████████████

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In this black-and-white photograph, Lee Kuan Yew is seen interacting with a group of children. He is crouching down, wearing a light-colored short-sleeved shirt and pants, appearing engaged and focused on the children surrounding him. The children, who are smiling and appearing curious, are dressed in casual, everyday clothing typical of the era, such as shorts and simple shirts. They are gathered closely around Lee Kuan Yew, emphasizing a sense of community and attentiveness. The background shows a series of residential buildings, suggesting an urban setting. The architecture appears to be mid-20th century, with visible balconies and open windows typical of the time. The lighting suggests it is daytime, with the sun casting shadows and highlighting the expressions on the children’s faces. The overall mood is one of warmth and connection, capturing a moment of interaction and engagement between a leader and the younger generation.

Asking Whether You Dream Impossible Things

6:15 p.m. (g)

Don't you dream impossible things?"

In this black-and-white photograph, Lee Kuan Yew is interacting with a group of children in an outdoor urban setting. Lee Kuan Yew, dressed in a short-sleeved shirt and dark trousers, is seen leaning forward, gently placing a hand on a young child's head. The mood is lively and joyful, as the children are visibly engaged and smiling, some playfully running around. Behind them, a backdrop of residential buildings suggests a bustling urban environment. The buildings exhibit typical mid-20th-century architecture, with balconies visible. The composition captures a candid moment of community interaction, conveying a sense of warmth and approachability. The overall lighting is bright, indicating a sunny day, which enhances the lively atmosphere of the scene. This image likely dates back several decades, given the attire and the monochrome format, which further emphasizes its historical context.

A “Starlight” Chorus Fragment

6:30 p.m.

[Chorus]

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██████████████████████never would forget████████████

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The image captures a poignant scene of emotional intensity, depicting a group of people gathered closely together in the rain. The mood is somber and reflective, with many individuals visibly crying and appearing deeply moved. The people are holding small flags of Singapore, indicating a national event or moment of mourning. The scene is set outdoors, and rainwater glistens on the faces and glasses of those present, adding to the atmosphere of solemnity. The tightly packed crowd suggests a significant turnout, with individuals dressed mostly in casual attire that has become soaked from the rain. The expressions on the faces range from grief-stricken to contemplative, highlighting the collective emotion shared among the attendees. The overall composition suggests a unified display of national sentiment, possibly during a memorial or tribute event. The lighting is natural, softened by the overcast sky, and the colors are muted, with the bright red of the Singapore flag standing out against the otherwise subdued palette.

A Bridge About Talking Crazy

6:30 p.m. (b)

[Bridge]

Ooh-ooh, he's talking crazy

In this black-and-white photograph, Lee Kuan Yew is seen in a relaxed and cheerful mood, suggesting a personal or family outing. He stands at the forefront, wearing a light-colored short-sleeved shirt and dark trousers, with a broad smile and his hands on his hips, conveying a sense of ease and happiness. In the background, a couple of children are playing with a black dog, adding a playful and familial atmosphere to the scene. The setting appears to be a park or garden, with trees and open grass providing a serene backdrop. The overall tone of the image is casual and candid, capturing a moment of leisure. The composition and style reflect a classic, timeless quality typical of mid-20th-century photography. There is no on-screen text visible in the image.

A One-Word Lyric About Dancing

6:30 p.m. (c)

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In this vintage photograph, Lee Kuan Yew is seen with his family, walking outside what appears to be a traditional style house. The image captures a moment from the past, featuring Lee Kuan Yew in the center, dressed in a light-colored short-sleeve shirt and trousers, exuding a relaxed but authoritative presence. To his left, a young boy in shorts and a light shirt walks alongside him, while on his right, a woman in a simple, elegant dress holds the leash of a small black dog. The background shows a building with a tiled roof and shaded windows, typical of mid-20th-century architecture. The overall mood of the photograph is serene and candid, reflecting a family outing. The lighting is natural, indicating it was taken during the day. The black-and-white tone of the image adds a timeless quality, emphasizing the historical context of the scene. The family appears engaged in each other’s company, unaware of the camera, capturing an intimate moment of everyday life.

A Lyric Fragment About Getting Married

6:30 p.m. (d)

█████████████████get married

In this black and white vintage photograph, a family portrait captures Lee Kuan Yew holding a young child, Lee Hsien Loong. The setting appears to be outdoors, with a backdrop of foliage and a partial view of a porch railing. Lee Kuan Yew is wearing a light-colored, short-sleeved shirt, and he has a gentle smile on his face. He cradles Lee Hsien Loong, who is a small child at the time, wearing a light shirt and knee-length shorts, smiling joyfully at the camera. To the left, a woman stands beside them, dressed in a traditional high-collared blouse, smiling warmly. The overall mood is one of familial warmth and affection, capturing a personal moment in the early years of a prominent family. The image exudes a sense of nostalgia, typical of family photos from mid-20th century Singapore.

A Lyric Fragment About Three Kids

6:30 p.m. (e)

Have three kids and teach them

Lee Kuan Yew is depicted in this outdoor family scene, sitting on a wicker chair with a small child on his lap. The setting is a lush garden, with green grass and bushes in the background, creating a peaceful and natural atmosphere. He is wearing a light-colored polo shirt and shorts, exuding a relaxed demeanor as he interacts with the child, possibly his grandchild, who is holding a red object, perhaps a toy or snack. Beside them, a woman is seated with another child on her lap. She is wearing a traditional sleeveless dress with a floral pattern. The children around the table are dressed casually, with shorts and shirts, contributing to the informal, leisurely family gathering. The wicker furniture and a small coffee table with a greenish hue add to the cozy and inviting ambiance of the scene. The overall mood is familial and serene, capturing a moment of familial bonding and enjoyment in a garden setting.

A Lyric Fragment About How to Dream

6:30 p.m. (f)

how to dream

Lee Kuan Yew is depicted in this vintage black-and-white photograph, seated at a table in a hotel room. The setting suggests a moment of quiet leisure, as he is dressed in a robe with a distinctive emblem, indicating possibly a sense of comfort and relaxation. The dining table is elegantly set, showcasing a teapot, cups, and various dishes including bread rolls and what appears to be jam, suggesting a breakfast scene. Lee Kuan Yew is reaching for a cup or pot, his expression focused and calm. The room's decor is classic with a framed picture on the wall and softly lit lamps, enhancing a serene atmosphere. The background features a sideboard with assorted bottles and glasses, hinting at the amenities of a hotel suite. This image captures a moment of personal routine amidst what could have been a busy schedule, offering a glimpse into the lifestyle and era of Lee Kuan Yew.

A Bare Post-Chorus Note

6:30 p.m. (g)

[Post-Chorus]

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1) Rich description: The image features Lee Kuan Yew, an influential figure in Singapore's history, standing outdoors against a backdrop of high-rise residential buildings. The scene is set during the daytime with clear skies overhead, suggesting a bright and positive ambiance. Lee Kuan Yew is wearing a short-sleeved, light-colored shirt, exuding a casual yet authoritative presence. He is smiling warmly, which conveys a sense of optimism and confidence. The buildings around him are densely packed, characteristic of Singapore's urban landscape, with laundry hanging from the windows, adding a touch of everyday life to the scene. The photograph is black and white, giving it a timeless quality. The composition is balanced, with Lee Kuan Yew centrally positioned, highlighting his importance within the frame and the context of Singapore's development. 2) On-screen text block: - Title: ""

A Chorus Starting With the Whole Place

6:30 p.m. (h)

[Chorus]

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The whole place ████████████████████████

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President Trump is depicted in this image standing outdoors in front of a brick building. He is holding a football in his left hand and gesturing with his right hand, pointing upwards. The football has the printed text "TRUMP 2024" on it. President Trump is wearing a dark blue suit with a white shirt and a bright red tie, which stands out against the background. His expression appears confident and focused. To the right of President Trump, a man in sunglasses and a suit, possibly a security personnel, is present, reinforcing the sense of a public event. Behind them, a man in a gray shirt stands near the doorway, adding to the atmosphere of security and attention. The lighting suggests it is daytime, and the presence of a smartphone being held up in the background indicates that people are capturing the moment. The scene conveys a political ambiance, with the football symbolizing a campaign or event-related theme.

AWOLNATION’s “Hollow Moon (Bad Wolf)”

Sunday, November 26th.

12:00 a.m.

AWOLNATION – Hollow Moon (Bad Wolf) (Official Music Video)

https://youtu.be/i2PsXT88UeU

[Verse 1]

I, I

I've been running from it all my lifetime

Story

Making a Deal With the Bad Wolf

12:00 a.m. (g)

[Chorus]

I'm-a make a deal with the bad wolf

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President Trump is standing next to a woman in this indoor setting. He is wearing a bright red baseball cap with the slogan "MAKE AMERICA GREAT AGAIN" prominently displayed in white letters. His attire includes a dark suit jacket over a white shirt, and he appears to be in a relaxed and jovial mood, smiling and pointing towards the camera. Beside him is a woman wearing a light blue baseball cap and a casual outfit that includes a white jacket and a pink turtleneck. She is smiling warmly, adding to the friendly and informal atmosphere of the scene. The lighting is bright and even, contributing to the cheerful ambiance. The image captures a moment of camaraderie between the two individuals.

A Verse About Coming Back From the Dead

12:00 a.m. (i)

[Verse 2]

MOTHERFUCKER I'LL BE BACK FROM THE DEAD SOON

The image features J.D. Vance at a political rally. He is standing on a stage, waving to a large, enthusiastic crowd. The background shows numerous attendees, some holding signs, with a prominent "SAVE AMERICA!" banner visible. The American flags add a patriotic element to the scene. The lighting is bright, suggesting a sunny day, which complements the energetic mood of the gathering. J.D. Vance is dressed in a formal suit and appears confident and engaging as he connects with the audience, illustrating his political influence and charisma. The image is credited to Maddie McGarvey for The New York Times and highlights key aspects of Vance's political stance, including his relationship with Donald Trump, immigration views, and anti-abortion position. The pros and cons outlined in the text emphasize his alignment with Trump, his potential impact in Senate, and factors such as Ohio's political landscape and diversity considerations.

Watching From the Center of the Hollow Moon

12:00 a.m. (j)

I'll be watching from the center of the hollow moon, oh

President Trump is seated in the Oval Office, which is characterized by its iconic design elements such as the American flag and the presidential seal. The room is lit with natural light filtering through the large windows, highlighting the golden curtains and the wooden desk. Standing beside him is a man wearing a red cap with visible white text on it. The man is dressed in a dark long-sleeved shirt and is engaging in a friendly handshake with President Trump, who is seated. Both individuals appear to be in good spirits, with President Trump looking up at the man, smiling. In the background, several photographers are capturing the moment, their cameras aimed towards the handshake. The atmosphere is lively, with a mix of formal and casual elements due to the setting and the interaction between the two individuals.

Making a Deal So the Bad Wolf Stops Biting

12:00 a.m. (o)

[Chorus]

I'm-a make a deal with the bad wolf

So the bad wolf don't bite no more

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The image depicts a basket containing a variety of items placed on a floor. Central to the composition is a red hat with the text "MAKE ME GREAT AGAIN" embroidered in white. The hat is partially covered by a red, white, and blue fabric, possibly a flag. Resting on the hat is a card displaying a gold-colored necklace labeled "CRYSTAL" in capital letters. Next to these items, there is a set of colorful feathers wrapped in paper. The lighting suggests an indoor setting, with a warm, ambient glow casting soft shadows. The basket is white and appears to be woven, adding a rustic touch to the scene. The mix of items suggests a themed collection or a gift arrangement, with political and decorative elements combined.

An Outro About the Bad Wolf

12:00 a.m. (y )

[Outro]

I'm-a make a deal with the bad wolf

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The image showcases a red baseball cap with the slogan "MAKE AMERICA GREAT AGAIN" embroidered in white uppercase letters prominently on the front. The cap is placed on a plain white surface, which contrasts starkly with its vibrant red color. The lighting is soft and even, highlighting the texture and structure of the cap. The composition is simple, with the cap tilted slightly to the side, drawing attention to the text. This style of cap is widely recognized and associated with political campaigns in the United States. The white text is bold and easily readable, making the message clear and central to the image's purpose. The overall mood is straightforward, focusing on the cap as a significant cultural and political symbol.

A Smiling Emoticon

12:00 a.m. (z)

: )

Names on this page

1 matched name linked to the Names index.

Taylor Swift Taylor Swift
Taylor Swift
Pop Singer-Songwriter
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