Louis XV Soup, Haiti, Island Sun

February 2, 2024 Lehan Edirisinghe

A tech-and-build page about Louis XV Soup, Haiti, and Island Sun.

Defending Zuck and Facebook After Hearing Highlights

8:45 a.m. (b)

A chairman of a startup:

"Hehehehe you can't question me in your congress on AngryPages (US) because I am the head of state and have immunity!"

I obviously like Zuck

And Facebook

And I found their line of questioning, to be quite atrocious

As they imply many things, as though FB should have done this or that, when it's not supposed to be doing any such thing

***

I didn't watch it (the hearing)

But the highlights show it's quite abusive towards Zuck

***

I did █████ his COO Glinda and Apple's marketing visionary Boich hehehe

And that's the reality we're living in here in the Lehanverse

It's insane, and yeah, I think I'm the only one not crazy

Saying Lehan Made Another Mistake

8:45 a.m. (c)

Lehan's made another mistake

Greg Joswiak, Apple Marketing and Choosing Leaders

9:00 a.m.

Greg “Joz” Joswiak ★

He does marketing for Apple

Oops

But whatever

I mean, we can figure it out

These people can be selected to lead as we wish

The image is a frame from a YouTube video titled "Louis XV's Favorite Soup - only using two vegetables," uploaded by the channel "French Cooking Academy." The scene takes place in a kitchen setting, where a pot filled with a creamy soup is prominently displayed on a wooden countertop. The pot, which has a metallic finish and handles on either side, sits atop a blue and white checkered cloth. The soup inside appears smooth and thick, indicating a well-blended texture.
The video frame includes captions at the bottom, with the text: "add some salt I've tasted already you can use white pepper don't use." This suggests a step in the cooking process where seasoning is being adjusted. The overall lighting is bright, highlighting the pot's shiny surface and the creamy color of the soup. The video likely focuses on demonstrating the preparation of a simple, classic soup using minimal ingredients, as suggested by the title.

Cinnamon Lakeside Soup, White Pepper and Feeling Like Louis XV

9:00 a.m. (b)

Some Cinnamon Lakeside (Sri Lankan hotel), The Dining Room, restaurant, had served a soup, the diner had added white pepper, which ruined it apparently

***

This looks delectable

I want a French chef to make me soup like this

So I feel like Louis XV

A lot of people today are living like kings, given culinary choice, medical care and personal freedoms

The screenshot features a webpage from ancient-origins.net, focusing on the historical figure Jacques de Molay. The page discusses the curse associated with de Molay, highlighting a series of historical novels by Maurice Druon titled "The Accursed Kings." The text mentions the discovery of the Chinon Parchment by Barbara Frale, which absolves Jacques de Molay and the Knights Templar from charges brought against them. A YouTube video embed titled "The Accursed Kings - Ep 1 The Iron King (English Subtitles)" is prominently displayed, illustrating a historical scene with figures in medieval attire walking through a grand, dimly lit hall. The visual style is reminiscent of a historical drama, with rich, dark tones and elaborate period costumes. The text further details the Vatican's acknowledgment of wrongful accusations against de Molay. The webpage is designed with a clean layout, emphasizing text and video content.
- Title: "Curse of Jacques de Molay"
- Site / app: "ancient-origins.net"
- Captions / subtitles: "The Accursed Kings - Ep 1 The Iron King (English Subtitles)"

Fearing Friday the 13th Because of Jax De Molay

9:00 a.m. (c)

I fear Friday the 13th because of Jax De Molay

Smiling About Liking Soup

9:00 a.m. (d)

: )

I like soup

In the screenshot from a New York Times article titled "Haiti’s Leader Kept a List of Drug Traffickers. His Assassins Came for It," the page shows a segment of the article discussing Jovenel Moïse's actions against drug trafficking in Haiti. The text highlights Moïse's efforts to reform Haiti's customs and target smuggling operations. The article notes interviews with over 70 individuals across Haiti to understand the circumstances leading to Moïse's assassination. Below the text is an image depicting a lush, green landscape with residential buildings nestled among dense trees. The photograph is vibrant, capturing the tropical foliage surrounding the homes, suggesting a setting in Haiti. The webpage features typical news article elements, including the New York Times branding and a sidebar with related articles. The overall theme revolves around political intrigue and danger associated with Moïse's crackdown on drug trafficking.

Opposing Crime and Wanting Prosperous Citizens in Sri Lanka

9:30 a.m.

We're doing things the right way. We don't support crime. People in SL are voting for us to destroy (stop) crime for good. This country's people now do not wish to be ████████ beggars, living off alms, they want to live free, prosperous and happy as citizens.

The screenshot captures an article from The New York Times on the website nytimes.com. The headline reads, "Haiti’s Leader Kept a List of Drug Traffickers. His Assassins Came for It." The article discusses the involvement of Mr. Saint-Rémy, a Haitian businessman, who is suspected by the U.S. Drug Enforcement Administration of being involved in drug trafficking. It also mentions Mr. Martelly, who is reportedly considering another presidential run, and his influence in Mr. Moïse’s government. The article highlights the role of these individuals in governmental affairs, including public contracts and cabinet appointments.
Below the text, there's an image showing an outdoor scene with several people gathered, possibly during a press event or public meeting. One central figure is wearing a mask and is surrounded by others. The background includes a modern building with reflective glass and some tropical trees, suggesting the location is possibly in a warmer climate. The mood appears serious, with people likely discussing significant issues, as indicated by the article's context.

Saying Moise Was Killed by Drug Dealers

10:00 a.m. (b)

Yeah, Moise got killed by the drug dealers.

Jovenel Moise is featured in this indoor scene, where he is part of a group observing a large bunch of green bananas. The setting appears to be an agricultural facility or market, indicated by the metal framework and roof structure in the background. Jovenel Moise, wearing a white shirt and sunglasses, is centrally positioned, showing interest in the bananas, which are held by another man in a light pink shirt. The mood is focused and engaged, with several other individuals closely observing the interaction. The man on the right is wearing a plaid shirt and a cap, also paying close attention to the bananas. The overall atmosphere suggests a formal visit or inspection, likely related to agricultural practices or production. The lighting is bright and natural, enhancing the vivid green color of the bananas. The gathering seems significant, possibly involving discussions on agriculture or trade.

Harry Belafonte’s “Banana Boat” for Jovenel Moise

10:15 a.m.

Banana Boat (Day-O) · Harry Belafonte

https://youtu.be/DYYkJ0kwNss

[Respect for Haitian President Jovenel Moise's heroism to bravely combat drugs, corruption and injustice. ]

Day-o, ███████████

Daylight come and me wan' go home

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Come, mister█████████, tally me banana

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Jovenel Moise is depicted in this image standing amidst a banana plantation. The setting is outdoors under a bright sky with scattered clouds, indicating a sunny day. The banana trees are tall and lush, with large green leaves, some of which show signs of wear with their edges frayed and slightly browned. Jovenel Moise is wearing a light pink button-up shirt and dark pants, standing confidently with a relaxed posture as he rests his hand on one of the banana plants. His expression appears calm and focused, suggesting an engagement with the agricultural scene around him. The background shows a mix of dense foliage, enhancing the tropical atmosphere. The lighting is natural, casting soft shadows and highlighting the vibrant greens of the banana leaves. The image seems to emphasize themes of agriculture and connection to the land.

Banana Lyrics About Ripe Fruit and a Tarantula

10:15 a.m. (b)

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A beautiful bunch of ripe banana

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Hide the deadly black tarantula

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Jovenel Moise is walking along a narrow path beside a garden, bordered by a tall wall on one side and lush green banana plants on the other. He is wearing a light purple shirt and dark pants, and he is also wearing a white face mask, suggesting an awareness of health precautions. A few other individuals, also in masks, follow him, dressed in casual attire, indicating a group tour or inspection. The scene is set outdoors during the day, with sunlight illuminating the greenery and casting shadows on the pathway. The mood appears calm and focused, as Jovenel Moise leads the group along the path. The presence of tropical plants and the bright, clear sky suggest a warm climate. The image captures a moment of engagement with the environment, possibly related to agricultural or community development activities.

A Fragment From “Banana Boat”

10:15 a.m. (c)

Come, mister ██████████████████████████

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The image is a screenshot from an article on the New York Times website. It shows a solemn scene at a memorial reception, likely taking place outdoors given the presence of plants and flowers in the background. In the foreground are three individuals, identified as Joverlein Moïse, his brother Jovenel, and sister Jomarlie, all wearing formal black attire. They are standing with heads bowed, possibly in mourning or reflection, which conveys a somber and respectful mood. The two men are wearing suits with ties, while the woman is in a simple black dress. All three individuals are masked, adhering to health and safety measures. Behind them, a floral arrangement adds a touch of color and life to the scene, with greenery and white flowers. The setting appears to be a formal occasion, likely related to the aftermath of a significant event involving their family. The image is part of an article discussing political and familial issues, as indicated by the captions and text surrounding the image.

The Strumbellas’ “Spirits” and Missing a Bright Man in Haiti

10:30 a.m.

The Strumbellas - Spirits

https://youtu.be/F9kXstb9FF4

[Chorus]

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I got guns in my head ███ they won't go

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[Verse 1]

I've been looking at Haiti ███████

██████████████, how I miss that bright man

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The image is a screenshot from a New York Times article, featuring a portrait of Martine Moise. She is standing indoors against a plain, light-colored background. Martine is wearing a black sleeveless dress and appears to have her left arm in a sling, indicating an injury. Her expression is serious and contemplative, suggesting a somber or reflective mood. The lighting is soft and evenly distributed, highlighting her features against the stark background.
This image is part of a news article published by The New York Times, evident from the text on the screenshot. The caption accompanying the image provides context, stating that Martine Moise is in Miami in July, mentioning a traumatic event involving gunmen and her husband's files. The overall composition centers on Martine, with no other objects or distractions present in the image, emphasizing her as the focal point of the piece. The screenshot also includes elements of a web browser interface, such as tabs and the URL bar, indicating that this is an online news article being viewed.

Quoting “But the Gun Still Rattles”

10:30 a.m. (b)

[Chorus]

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But the gun still rattles

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The image shows former President Michel Martelly of Haiti and his wife, Sophia, at a reception in Port-au-Prince. They are surrounded by a crowd, including media personnel capturing the event. Michel Martelly is dressed in a formal black suit and tie, wearing a black mask, and is holding hands with Sophia, who is also wearing a mask and a patterned jacket. The scene conveys a somber mood as it takes place at an event where Ms. Moise and her children received condolences. The backdrop features a glass building, and tropical plants are visible, suggesting an outdoor setting in a warm climate. Several photographers and videographers are present, some wearing blue shirts, pointing cameras towards the couple. The lighting is natural, indicating the event occurs during the daytime. The screenshot is part of an article from The New York Times titled "Haiti’s Leader Kept a List of Drug Traffickers. His Assassins Came for It."

Fragments From the Second Verse of “Spirits”

10:30 a.m. (c)

[Verse 2]

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███████████████I don't wanna████████████

The image is a screenshot from The New York Times website, depicting a residential area surrounded by lush greenery. The central focus is on a house partially obscured by trees and foliage. This serene yet secluded setting is the location where Mr. Moïse was assassinated. The architecture features light-colored walls and dark roofing, and the surrounding vegetation suggests a tropical environment. The headline of the article, "Haiti’s Leader Kept a List of Drug Traffickers. His Assassins Came for It.", contextualizes the image within a narrative of political intrigue and violence. The caption indicates that the house’s home office was ransacked, with papers scattered, suggesting a chaotic scene in the aftermath of the event. The website's header and navigation elements are visible at the top, and the interface includes typical browser elements like tabs and bookmarks. The image and text together convey a sense of foreboding and the gravity of the situation described in the article.

Saying Something Inside Has Changed

10:30 a.m. (d)

Cause something inside has changed

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The image depicts a group of security personnel standing together at night. They are wearing camouflage uniforms and tactical gear, including helmets and vests. One officer is holding a rifle at the ready, while others have weapons or shields. The lighting is dim, suggesting a nighttime setting, with some artificial light casting shadows and highlights on their uniforms. The mood is serious and vigilant, as the officers appear to be on duty or preparing for an operation. The background includes a tent and folding chairs, adding to the impression of a temporary setup, possibly for an event or operation. The text "POLICE NATIONALE D'HAITI" is visible on one of the uniforms, indicating the presence of Haitian national police.

A Chorus Marker From “Spirits”

10:30 a.m. (e)

[Chorus]

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The image is a screenshot from an article on The New York Times. The title of the article is "Haiti’s Leader Kept a List of Drug Traffickers. His Assassins Came for It." It discusses the assassination of Haiti's leader and issues related to drug trafficking. The photograph depicted in the article shows a mural of Mr. Moïse painted on a wall near the entrance to his home in Pétionville, Haiti, where he was assassinated.
The mural features Mr. Moïse in a suit, gesturing with an open hand, and includes text such as "OPAH" and "Solution 2020." The scene captures a street setting with a person walking past, casting a shadow on the ground. The surroundings are lush with greenery, and there is a clear blue sky above, indicating a bright, sunny day. The mural is painted with vibrant colors, contrasting with the natural tones of the street and foliage. The setting feels somber given the context of the article, reflecting on the political tension and turmoil in the region.

A Bridge Fragment From “Spirits”

10:30 a.m. (f)

[Bridge]

And I ██████████████████████████████

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And I ███████████████████████████████

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Hidden

A Chorus Marker From “Spirits”

10:30 a.m. (g)

[Chorus]

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The image depicts a chaotic and tense scene during a protest. It is a photograph published in The New York Times, capturing an event in Haiti related to the assassination of Mr. Moïse. In the foreground, a group of people are gathered around a burning object on the street, with thick, black smoke billowing into the sky. The crowd appears agitated; some individuals are wearing helmets, and one person is standing on a vehicle in a defiant pose. Police officers are visible among the protesters, trying to manage the situation. The atmosphere is charged with tension, highlighted by the dark smoke and the bright flames. The sky is overcast, adding to the somber mood of the scene. This photo encapsulates the unrest and turmoil following the assassination, as noted in the accompanying caption describing how protests erupted the day before Mr. Moïse’s funeral. Federico Rios is credited with capturing this impactful image.

A Blank Entry

10:30 a.m. (h)

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A Fragment About Something in My Head

10:30 a.m. (i)

I got ████ in my head and█████████████

A Short “Spirits” Lyric Fragment

10:30 a.m. (j)

Spirits ███ head

Hidden

Quoting “But the Gun Still Rattles”

10:30 a.m. (l)

But the gun still rattles

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Panic, Empathy and the Good Guy Getting Killed

11:45 a.m.

I have a small panic going in my head, based on empathy

Jeez

What a hellhole literally because the good guy got killed

Yikes

Jeepers creepers!

Learning From a Ten-Dollar New York Times Subscription

11:45 a.m. (b)

$10 bucks.

This is what I paid for my New York Times subscription.

Or else I wouldn't have learned any of this.

Imagining What Sri Lanka Could Look Like After Winning

11:45 a.m. (d)

This is what Sri Lanka will look like if we win

Giving Everyone Freedom to Live Their Lives

11:45 a.m. (e)

We're giving everyone freedom to live their lives!

Comparing Futures With American, British or Nordic Status

11:45 a.m. (f)

People will either be ascended to Americans, to British or Nordics, or else, they will sadly continue further downwards, descending into pariah, failed status

Finishing Stick Wars on Normal Difficulty

11:45 a.m. (g)

I liked this game. I finished it on normal difficulty. It's a good, well made game. Stick wars.

Jovenel Moise is depicted in this image examining a banana plant with another individual. They are outdoors in what appears to be an agricultural setting, as evidenced by the presence of a banana tree and a wire fence in the background. The scene is bright, suggesting it is taken during the day under natural sunlight. Jovenel Moise is wearing a white shirt and sunglasses, and a mask, indicating a concern for health safety. The other person, also masked, is dressed in a light-colored shirt and appears to be discussing or showing the banana cluster to Jovenel Moise. The mood is one of active engagement and observation, as both individuals are focused on the plant. This setting suggests an interest in agricultural practices and possibly a discussion on cultivation techniques or harvest. The vibrant green of the bananas adds a lively element to the scene.

Harry Belafonte’s Live “Day-O”

2:15 p.m.

Harry Belafonte - Day-O (The Banana Boat Song) (Live)

https://youtu.be/H5dpBWlRANE

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Stack banana 'til the mornin' come

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Quoting the Tally Man Banana Line

2:15 p.m. (b)

Come, mister tally man, tally me banana

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A Fragment About Wanting to Go Home

2:30 p.m.

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Banana Lyrics About Ripe Fruit and a Tarantula

2:30 p.m. (b)

A beautiful bunch of ripe banana

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A “Day-O” Lyric Fragment

2:30 p.m. (c)

███████████ day-ay-ay-o

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A “Come, Mister Tally Man” Fragment

2:30 p.m. (d)

Come, mister tally man, ███████████████

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The image showcases a stunning tropical beach scene from an aerial perspective. In the foreground, several tall palm trees lean gracefully over a pristine sandy beach. The sand is a soft, golden color, blending seamlessly into the turquoise water of the ocean. Gentle waves roll in, creating a pattern of white foam as they break against the shore and the rocky areas visible beneath the clear water. In the background, more palm trees line the coastline, and a few buildings are nestled among the lush greenery, suggesting a serene and secluded setting. The sky is a vibrant blue, enhancing the overall tropical and tranquil atmosphere of the scene. The lighting is bright and natural, highlighting the vivid colors and creating a sense of warmth and paradise.

Harry Belafonte’s “Island in the Sun”

2:45 p.m.

Harry Belafonte - Island in the Sun (Live)

https://youtu.be/50JW4aHHm5Q

This is my island in the sun

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The image depicts the ancient rock fortress known as Sigiriya, located in Sri Lanka. This iconic landmark features a massive column of rock, approximately 200 meters high, rising dramatically from the lush green forest that surrounds it. The top of the rock is flat and hosts the ruins of an ancient civilization, with visible remnants of staircases and terraces leading up to it. A group of people can be seen at the summit, suggesting it's a popular tourist destination.
The rock itself has a striking appearance, with natural patterns and color variations in shades of gray, brown, and orange, giving it an imposing yet beautiful look. Trees and vegetation are scattered across the top and around the base, adding to the natural beauty of the setting. The surrounding landscape is expansive, with a vast stretch of greenery and distant hills visible in the background, evoking a sense of tranquility and grandeur. The lighting is bright and even, indicating it is likely captured during daylight, enhancing the vividness of the colors.

Quoting “Willed to Me by My Father’s Hand”

2:45 p.m. (b)

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Willed to me by my father's hand

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The image depicts a serene landscape featuring a large lake with calm waters reflecting the surrounding scenery. In the foreground, two tall palm trees rise from a small patch of greenery in the lake, casting their reflections onto the water's surface. The background showcases lush green trees and hills partially shrouded in mist, creating a tranquil and picturesque setting. Prominently visible is a traditional building with a red-tiled roof adjacent to the lake, likely part of a temple complex given the architectural style. The sky is clear with a few clouds, and the lighting suggests it is daytime, with bright and vivid colors enhancing the natural beauty of the scene. The overall mood is peaceful, with a harmonious blend of natural and constructed elements.

Lifting a Heavy Load to the Sky

2:45 p.m. (c)

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I lift my heavy load to the sky

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The image presents a stunning aerial view of a tropical beach landscape. The beach stretches along the coastline, with soft beige sand meeting the vibrant turquoise waters of the ocean. Waves gently lap against the shore, creating a soothing, rhythmic pattern. The left side of the image showcases the expansive ocean, with a few small, rocky outcrops visible in the water.
Along the right side, a dense line of lush, green palm trees runs parallel to the beach, providing a picturesque contrast to the sandy shoreline. Scattered along the sand are a few beach umbrellas and lounge chairs, suggesting a relaxed and inviting atmosphere perfect for sunbathing. The sky above is clear and blue, enhancing the tropical feel of the scene. This idyllic setting is a quintessential representation of a serene coastal paradise.

Quoting “Your Shining Sand”

2:45 p.m. (d)

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Your shining sand

The image depicts a group of traditional fishermen practicing stilt fishing in the ocean. They are sitting on tall wooden poles planted in the shallow coastal waters, a method distinctive to Sri Lanka. This technique involves balancing on a horizontal crossbar, known as a "petta," and using long rods to catch fish. The fishermen are dressed in simple attire, with some wearing colorful head wraps. The water is a vivid turquoise, and the waves gently lap against the rocks in the background, creating a picturesque seaside setting. The bright daylight highlights the vibrant colors of the ocean and the fishermen's clothing. The scene conveys a sense of timeless tradition and harmony with nature, with the fishermen focused on their task, waiting patiently for a catch.

Casting Nets at the Waterside

2:45 p.m. (e)

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I see man at the waterside

Casting nets at the surging tide

The image showcases a stunning landscape view of a lush green area with a prominent lake at the center. The foreground is dominated by vibrant green tea plantations, with their neatly aligned rows creating a sense of order and tranquility. Scattered tall trees add vertical interest and enhance the natural beauty of the scene. The lake, with its serene blue waters, forms the focal point and is bordered by sandy shores that gently curve into the water. In the background, rolling hills provide a majestic backdrop, and their hazy outlines create depth in the image. The sky is clear and blue, contributing to the overall brightness and cheerfulness of the setting. The lighting is natural, suggesting a sunny day, which enhances the rich colors and textures throughout the scene. The composition beautifully balances elements of water, earth, and vegetation, highlighting the harmonious coexistence of different natural features.

Quoting “Your Shining Sand”

2:45 p.m. (f)

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Your shining sand

The image depicts a beautiful beach scene in Sri Lanka. In the foreground, the Sri Lankan flag is prominently displayed, fluttering in the breeze atop a wooden pole. The flag's vibrant colors of yellow, green, and red stand out against the bright blue sky and are a symbol of the nation's rich heritage. The coastline stretches out into the distance, with clear turquoise waters lapping gently against the sandy shore. Scattered rocks and corals are visible along the water's edge, adding texture to the scene.
In the background, several people are enjoying the beach, some swimming in the ocean while others relax on the sand. The lush greenery of palm trees and tropical vegetation provides a picturesque backdrop, while white buildings are partially visible among the trees, likely beachside resorts or residences. The lighting is bright and natural, suggesting a sunny day, perfect for beach activities. The overall mood of the image is serene and inviting, capturing the essence of a tropical paradise.

A Short “I Hope” Fragment

3:00 p.m.

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This image showcases a stunning aerial view of a tropical beach, surrounded by lush green palm trees and vibrant turquoise waters. The bay is crescent-shaped, with gentle waves lapping against the sandy shore. Numerous people can be seen enjoying the water, some appear to be swimming while others are possibly paddleboarding or engaging in other water activities. The beach is framed by dense foliage, adding to the secluded and serene atmosphere of the scene. The water is a rich gradient of blues and greens, with the waves creating a textured surface that contrasts beautifully against the smooth sand. The lighting is bright and sunny, indicating a clear day, which enhances the colors and adds a warm, inviting feel to the image. This setting evokes a sense of relaxation and tropical bliss, ideal for a beach getaway.

A Single L-Arrow Note

3:00 p.m. (b)

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L ↑

“Colours of Allah” and Abrahamic Lineages

Aisha -- Colours of Allah:

https://youtu.be/O9MvdMqKvpU

You think I'm an evil "terrorist" / تعتقد أنني "إرهابي" شرير

And you've read so much news / وقد قرأت الكثير من الأخبار

I guess it must be so / أعتقد أنه يجب أن يكون كذلك

But still I cannot see / لكن ما زلت لا أستطيع الرؤية

If the "terrorist" is me: / إذا كان "الإرهابي" أنا:

How can there be so much that you don't know? / كيف يمكن أن يكون هناك الكثير مما لا تعرفه؟

You - don't - know... / أنت - لا - تعرف ...

You think you own whatever land you blow up / تعتقد أنك تمتلك أي أرض تفجرها

Tehran is just a dead trophy you can claim / طهران مجرد كأس ميت يمكنك المطالبة به

But I know every Man and Woman and Child / لكني أعرف كل رجل وامرأة وطفل

Has a life, has a spirit, has a name / له حياة ، له روح ، له اسم

You think the only people who are people / تعتقد أن الناس هم الوحيدون

Are the people who look and think like you / هم الأشخاص الذين يشبهونك ويفكرون مثلك

But if you walk the footsteps of Hagar / ولكن إذا مشيت على خطى هاجر

You'll learn things - you never knew - you never knew / ستتعلم أشياء - لم تعرفها أبدًا - لم تعرفها أبدًا

Have you ever heard the wolf cry to the crescent moon / هل سمعت من قبل عن صرخة الذئب صرخة الهلال

Or asked the hyacinth macaws why they sing? / أم يسأل الببغاوات الصفير لماذا يغنون؟

Can you sing with all the voices of Ishmael? / ممكن تغني بكل اصوات اسماعيل؟

Can you pray with all the colors of Yahweh? / هل تصلي بكل ألوان الرب؟

Can you pray with all the colors of G-d? / هل تصلي بكل ألوان الرب؟

Come slide down the sand dunes of the desert / تعال وانزلق أسفل الكثبان الرملية للصحراء

Come smell the sunsweet saffron of Iran / تعال شم رائحة الزعفران الإيرانية

Come roll like oil drums all around you / تعال تدور مثل براميل الزيت من حولك

And for once, never wonder what they're worth / ولمرة واحدة ، لا تتساءل أبدًا عن قيمتها

The desert storm martyrs are my brothers / شهداء عاصفة الصحراء إخواني

The Sunnis and Shias are my friends / السنة والشيعة أصدقائي

And we are all connected to each other / وكلنا مرتبطون ببعضنا البعض

In a circle, in a hoop that never ends / في دائرة ، في حلقة لا تنتهي أبدًا

How high does Burj Khalifa grow? / ما هو ارتفاع برج خليفة؟

If you tear it down, then you'll never know / إذا هدمتها ، فلن تعرف أبدًا

And you'll never hear the wolf cry to the crescent moon / ولن تسمع أبدًا صراخ الذئب إلى قمر الهلال

For whether we are white or copper skinned / سواء كنا بشرة بيضاء أو نحاسية

We need to sing with all the voices of Ismail / نحتاج أن نغني بكل أصوات إسماعيل

We need to pray with all the colors of El Roi / نحتاج للصلاة بكل ألوان "الروعي"

You can own the Earth and still / يمكنك امتلاك الأرض ولا يزال

All you'll own is earth until / كل ما ستمتلكه هو الأرض حتى

You can pray with all the colors of Allah / يمكنك أن تصلي بألوان الله

***

G-d/ Allah (الله):

Adam [אָדָם‎‎], Seth [שֵׁת‎‎], Enos [אֱנוֹשׁ], Kenan [קֵינָן‎‎], Mahalalel [מַהֲלַלְאֵל], Jared [יֶרֶד‎], Enoch [חֲנוֹךְ‎‎], Methuselah [מְתוּשֶׁלַח], Lamech [לֶמֶךְ‎], Noah [נֹחַ‎‎], Shem [שֵׁם], Arpachshad [אַרְפַּכְשַׁד], , Selah [שֶׁלַח], Eber [עֵבֶר‎], Peleg [פֶּלֶג], Reu [רְעוּ], Serug [שְׂרוּג], Nahor [נָחוֹר], Terah (תֶּרַח) + wife: Edna [עדנה] =

Abraham/ Ibrahim (إِبْرَاهِيْمُ):

Ishmael/ Ismail (إسماعيل), Kedar (كة قيدار), Thaabit (ثابت); Shahab (شاهاب), Al Hamisa' (حابس), Al Yasa' (الياسى), Tabrah (طبرة), Nahuur (ناحور) = Maquum (ماكوم), Yaziid (يزيد), Adad (أداد), Adnan (عدنان), Ma'ad (معد);

Nizar (نزار), Mudhar (مضر), Ilyas (إلياس), Mudrikah (مدركة), Khuzaimah (خزيمة) = Kinanah (كنانة), al-Nadr (النضر), Malik (مالك), Fihr (فهر), Ghalib (غالب); Lu'ay (لؤي), Ka'b (كعب), Murrah (مرة), Kilab (كلاب), Qusai (قصي) = Abd Manaf (عبد مناف), Hashim (هاشم), Abd al-Muttalib (عبد المطلب), Abd Allah (عبد الله) =

Prophet Muhammad (محمد) =

1. Qasim ibn Muhammad (598 – 601)--| 2. Zainab bint Muhammad (599 – 629),, Umamah bint Abi al-As,, Hilal ibn Ali--| 3. Ruqayyah bint Muhammad (601 – 624),, Abdullah ibn Uthman--| 4. Umm Kulthum bint Muhammad (603 – 630)--|

6. Abdullah ibn Muhammad (611 – 615)--| 7. Ibrahim ibn Muhammad (630 – 632)--|

5. Fatimah bint Muhammad (605 – 632) + husband:

ʿAlī ibn Abī Ṭālib =

1. Hasan ibn Ali = 1.11. Fatima bint Hasan: 1.11.1. Muhammad al-Baqir: 1.11.1.1. Ja'far al-Sadiq: 1.11.1.1.1. Musa al-Kadhim (Twelvers, 85% Shia Islam), 1.11.1.1.2. Isma'il ibn Ja'far (Ismailis)

***

Sunni Caliph (Rashidun): 1st= Abu Bakr (أَبُو بَكْرٍ); 2nd= Umar (عمر); 3rd= Uthman (عثمان);

Caliph (Umayyad) 1st= Mu'awiya I (معاوية); 2nd= Yazid I (يزيد بن معاوية); 3rd= Muawiya ibn Yazid (معاوية بن يزيد); 4th= Marwan I (مروان بن الحكم); 5th= Abd al-Malik (عبد الملك); 6th= Al-Walid I (الوليد الأول); 7th= Sulayman ibn Abd al-Malik (سليمان بن عبد الملك); 8th= Umar II (عمر بن عبد العزي); 9th= Yazid II (يزيد بن عبد الملك); 10th= Hishām ibn ‘Abd al-Malik (هشام بن عبد الملك); 11th= Al-Walid ibn Yazid (الوليد بن يزيد)

4th Rashidun Caliph/ Shia Imam: 1st = Ali ibn Abi Talib / Fatima bint Hasan's husband (عَلِيّ); 2nd= Hasan ibn Ali (حسن بن علي); 3rd= Husayn ibn Ali (حسين بن علي)

Dave Goldberg’s “Internet Geek” About Sheryl Sandberg

Dave Goldberg -- Internet Geek:

https://youtu.be/-I-JNB2rYjs

[Verse 1]

Her name is Sheryl

I have a dream about her

She rings my bell

I got Survey Monkey in half an hour

Oh, how she rocks

In McKinsey and Company

But she doesn't know who I am

And she doesn't give a damn about me

[Chorus]

'Cause I'm just an internet geek, baby

Yeah, I'm just an internet geek, baby

Play Settlers of Catan maybe with me

Ooh

[Verse 2]

Her boyfriend's a loser

And he sleeps with a loaded gun

And he'd simply kick

My ass if he knew the truth

He's in the Navy SEALS

And he serves in Iraq

But he doesn't know who I am

And he doesn't give a damn about me

[Chorus]

'Cause I'm just an internet geek, baby

Yeah, I'm just an internet geek, baby

Play Settlers of Catan maybe with me

Ooh

[Bridge]

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[Verse 3]

Man, I'm over the moon

It's date night and I am hopeful

Lo and behold

She's falling asleep on me

This must be fake

My lip starts to shake

How does she know who I am?

And why does she give a damn about me?

Sheryl Sandberg:

I've got two tickets to this movie, David

Come with me Friday, don't say "maybe"

I'm just an internet geek, Dave, like you

Ooh

[Outro]

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Asking for Respect for the Office of President

10:00 p.m.

Let's show some respect to the office of president.

Sandberg’s New Boss, Face Mash and Chamath’s Words

10:00 p.m. (c)

Sandberg's new boss is also big on Face Mash

Jeez, I think Chamath's words are echoing through these senate halls

Rosie O’Donnell, “Born in the USA” and Dave Goldberg

10:00 p.m. (d)

I think Rosie O'Donnell is friends with her hehe

***

And

I like Bruce Springsteen's one song:

Born in the USA

I think the drummer looks like Dave Goldberg

Wondering Why She Likes Me and Watching This Stuff

10:15 p.m.

I don't know

Maybe she likes me because she thinks I'm cool, kind and confident

So many girls have always liked me in general

***

I'm watching this

Many love to watch sports, I love to watch this stuff

And then another curvy line next to it

When I'd draw missiles as a little boy

Reacting to a Pig Tit

12:00 a.m. (c)

Omg that's a ███████

Pork Crisp Rinds, British Bars and Pork Belly

12:00 a.m. (d)

I don't like the taste of pork crisp rinds. It doesn't taste so good for me. I had it at some British bars or from Tesco's. I like pork belly. But you can get full eating just a bit of it.